Details
Italian Motherhood on Screen
Italian and Italian American Studies
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96,29 € |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 14.10.2017 |
| ISBN/EAN: | 9783319566757 |
| Sprache: | englisch |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<p>This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the perceived crisis of the family, the economic crisis, and the crisis of national identity, provoked by the forces of globalization and migration, secularization, and the instability of labor markets. Through essays by an international cohort of established and emerging scholars, this volume aims to read these shifts in cinematic terms. How does Italian cinema represent, negotiate, and elaborate changing definitions of motherhood in narrative, formal, and stylistic terms? The essays in this volume focus on the figures of working mothers, women who opt for a child-free adulthood, single mothers, ambivalent mothers, lost mothers, or imperfect mothers, who populate contemporary screen narratives. <i></i></p>
<p>Introduction: Italian Motherhood on Screen. Maria Elena D’Amelio and Giovanna Faleschini Lerner.- 2: In the Name of the Mother. Marcia Landy.- 3: Maternal Ambivalence in Contemporary Italian Cinema. Bernadette Luciano and Susanna Scarparo.- 4: ‘A Bad Mother and a Small Heap of Bones:’ Claudia Karagoz.- 5: Rich Wives, Poor Mothers: Giorgio Galbussera.- 6: Mothers at a Loss: Francesco Pascuzzi.- 7: Acquaintance with Grief: Stefania Benini.- 8: Francesca Comencini’s Single Moms and Italian Family Law. Letizia Bellocchio.- 9: Gy-neology and Genealogy of a Female Filmmaker. Silvia Carlorosi .- 10: Unnatural Child Birth: Millicent Marcus.- 11: Liquid Maternity in Italian Migration Cinema. Giovanna Faleschini Lerner.- 12: Voicing Italian Childfree Women on New Media: Giusy Di Filippo.- 13: Motherhood 2.0: Maria Elena D’Amelio .- Appendix. Motherhood on Screen: A Film Catalog from 1945 to the Present: Gina Mangravite,Maria Elena D’Amelio, Giovanna Faleschini Lerner.- Index.</p>
<p>Giovanna Faleschini Lerner is Associate Professor of Italian at Franklin & Marshall College, USA. She is the author of <i>The Painter as Writer: Carlo Levi’s Visual Poetics</i> (Palgrave Macmillan, 2012) and has published numerous articles and book chapters on twentieth-century and contemporary Italian literature and film.</p>
<p>Maria Elena D’Amelio is Postdoctoral Researcher at the University of the Republic of San Marino, San Marino. She is the author of <i>Ercole, il divo</i> (2012), and has published extensively on genre cinema, stardom, and film history.</p>
<p>Maria Elena D’Amelio is Postdoctoral Researcher at the University of the Republic of San Marino, San Marino. She is the author of <i>Ercole, il divo</i> (2012), and has published extensively on genre cinema, stardom, and film history.</p>
This book is the first study of motherhood in Italian cinema to focus on concrete experiences of the maternal, their diversity, and their relationship with the notion of crisis Includes emerging and established scholars from New Zealand, the USA, Australia, and Italy Focuses on the relatively neglected area of gender studies in Italian Film Studies Includes supplementary material: sn.pub/extras
“The essays included in Italian Motherhood on Screen provide readers with a uniquely broad perspective on representations of motherhood in Italian cinema from the 1970s to the present. Not only does the book take into consideration new media productions, but also branches into various declinations of the subject-motherhood: bad, non-, imperfect. By considering motherhood not only symbolically but also as actual and lived experiences, represented in films and new media concurrently to historical events and social changes, Italian Motherhood on Screen creates a bridge between Italian and Anglo-American feminist theories. In this way, the significance of this book exceeds the limits of Italian film scholarship to speak to a wider audience of students and scholars interested in feminist theories and politics.” (Paola Bonifazio, Associate Professor in Italian Studies, The University of Texas, Austin, USA)<p></p>
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