Details

Live and Recorded


Live and Recorded

Music Experience in the Digital Millennium
Pop Music, Culture and Identity

von: Yngvar Kjus

80,24 €

Verlag: Palgrave Macmillan
Format: PDF
Veröffentl.: 09.02.2018
ISBN/EAN: 9783319703688
Sprache: englisch

Dieses eBook enthält ein Wasserzeichen.

Beschreibungen

This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.<br>
<p>1.&nbsp;Introduction.- 2.&nbsp;Media Governance.- 3.&nbsp;Changes in Korean Society since 1980.- 4.&nbsp;Fluctuating Media in the 1980s.- 5.&nbsp;Media Liberation following Democratization in 1987.- 6.&nbsp;Changes in Media Industry’s Value and Governance in the 1990s.- 7.&nbsp;Introduction of New Media: Information Society and Media.- 8.&nbsp;2000 Broadcasting Act and 2005 Newspaper Act: Balancing Public Interest and Market.- 9.&nbsp;Age of Media Convergence.- 10.&nbsp;Establishment of the Korea Communications Commission in 2008.- 11.&nbsp;Revision of the Media Laws and Cross-Ownership of Newspaper and Broadcasting in 2009.- 12.&nbsp;From Media Governance to ICT Governance.- 13.&nbsp;Internet Governance.- 14.&nbsp;Changes in Media Governance 1980-2017.</p>
<p>Yngvar Kjus is a researcher in the Department of Media and Communication at the University of Oslo, Norway.<br></p><div><br></div>
This book uncovers how music experience – live and recorded – is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.<br>
Based on interviews with artists, intermediaries or industry professionals, and audience members Includes quantitative data on the use of online music services for live concert events Presents a wide and evolving range of possibilities for musical agency and experiences afforded by the use of digital media

Diese Produkte könnten Sie auch interessieren:

Flow, Gesture, and Spaces in Free Jazz
Flow, Gesture, and Spaces in Free Jazz
von: Guerino Mazzola, Mathias Rissi, Paul B. Cherlin, Nathan Kennedy
PDF ebook
53,49 €
Der Feuervogel - ein Tanz in die Moderne
Der Feuervogel - ein Tanz in die Moderne
von: Christian Chur
PDF ebook
19,99 €
Deutscher Rap - Eine Kunstform als Manifestation von Gewalt?
Deutscher Rap - Eine Kunstform als Manifestation von Gewalt?
von: Martin Wiegel, Volker Wehdeking, Gunter E. Grimm
PDF ebook
19,99 €