The Classic Fantasy collection

H. P. Lovecraft • Robert E. Howard • Arthur Machen

George Macdonald • Lafcadio Hearn • H. G. Wells

Contents

Introduction

Robert E. Howard

The Phoenix on the Sword

The Scarlet Citadel

Rogues in the House

The Tower of the Elephant

Queen of the Black Coast

H. P. Lovecraft

The Dunwich Horror

The Call of Cthulhu

The Color Out of Space

G. G. Pendarves

Werewolf of the Sahara

H. G. Wells

The Magic Shop

The Man Who Could Work Miracles

Mr Skelmersdale in Fairyland

The Story of the Inexperienced Ghost

William Morris

The Wood Beyond the World

Lafcadio Hearn

The Soul of the Great Bell

The Return of Yen-Tchin-King

The Tale of the Porcelain-God

The Dream of Akinosuke

Rokuro-kubi

Abraham Merritt

The Moon Pool

The People of the Pit

Arthur Machen

The Great God Pan

The Inmost Light

Ernest Bramah

The Transmutation of Ling

The Story of Yung Chang

The Probation of Sen Heng

The Experiment of the Mandarin Chan Hung

The Confession of Kai Lung

The Vengeance of Tung Fel

The Career of the Charitable Quen-Ki-Tong

The Vision of Yin, the Son of Yat Huang

The Ill-Regulated Destiny of Kin Yen, the Picture-Maker

Robert W. Chambers

The Repairer of Reputations

The Mask

In the Court of the Dragon

The Yellow Sign

George MacDonald

The Shadows

The Golden Key

Introduction

Most people believe that the modern fantasy genre began with J. R. R. Tolkien and his epic novels The Hobbit and The Lord of the Rings. Fantasy has reached new heights in the 21st century as hundreds of new writers have burst on to the scene, some following in Tolkien’s tradition, others denying it utterly, and television, film and even video games have embraced the genre as their own. Yet by the time Tolkien was putting the finishing touches on The Lord of the Rings in 1954, fantasy was already a well-established genre, with masterful writers telling fascinating tales that showcased their extensive imagination.

This collection brings together a selection of those who practiced their craft before the genre became synonymous with a single individual and a singular style. It ranges from the classical epic romances of William Morris to the terrifying tales of the master of horror, H. P. Lovecraft. Some draw on Norse mythologies and the history of medieval Europe while others turn to East Asia, to Japan and China, for inspiration. Some blur the lines between horror, fantasy and science fiction. The tone of the writing is sometimes whimsical, sometimes dreamlike and sometimes epic. It is a hard genre to define. There is no simple archetype which makes a fantasy novel “fantasy”. Even today, some writers are uncomfortable with their work being labelled as “fantasy fiction” despite possessing several fantastic elements, while others embrace the genre enthusiastically. The number of sub-genres can be bewildering – epic, gothic, sword & sorcery, urban, alternate history, magical realism, weird fiction – it is an almost endless list, reflecting the genre’s vast range of possibilities.

Yet all these stories share a common thread. They bring together the impossible and they make it seem both plausible and natural. They are set in alternate universes, some very similar to our own, others utterly alien, and draw us in to the fascinating worlds that exist between the author’s words. Many use the device of alternate worlds to address important contemporary political or social issues, engaging powerful magic or strange creatures as cyphers for present-day concerns.

None of this is to say that there has always been a distinctive fantasy genre. While mythical tales involving gods, magic, heroes and fearsome creatures like dragons have been around since the dawn of oral tradition, these tales were often believed to be true. Fairytales, folklore and legends are not quite the same thing as the fantasy stories collected here – though they often provided essential inspiration. The fantasy genre, in its modern form, emerged in the last few decades of the 19th century. Writers like George MacDonald, Edgar Allan Poe, Abraham Merritt at the end of the century targeted their fantastic writings at an adult audience. They sought to tell tales involving elements of the impossible that were clearly distinguishable from the fairytales and myths that had gone before.

George MacDonald’s Phantastes, first published in 1858, is widely credited as the first fantasy novel ever written. He was the writer most admired by C.S. Lewis and had a fundamental influence on the many fantasy writers that followed. MacDonald was a deeply religious man, a Calvinist minister and a Celtic scholar. For MacDonald, as it would be for countless generations, fantasy was for both escapism – for “the child-like, whether they be of five, or fifty, or seventy-five” years of age – and for exploring the human condition in a different way. By the turn of the century, several more writers had followed in MacDonald’s footsteps. H. G. Wells is best known for his classic science fiction novels, but in his short fiction he turned his hand to fantasy, too. He embraced several supernatural motifs, including themes of spiritual possession, dreaming, and ghosts. It was William Morris, though, the poet, textile designer and novelist, who truly established the form of the alternate world epic. Awash with fanciful language, taking their inspiration equally from classical romances and mythology, Morris is one of the unacknowledged masters of the genre.

At the same time, an entirely different tradition of fantasy literature was emerging. For some writers, it was the fairytales of Asia that captured the imagination. Lafcadio Hearn (1850–1904), born in Greece, American resident and Japanese enthusiast, wrote a number of traditional Japanese legends and ghost stories in the style of modern fiction after marrying a Japanese woman and moving to Matsue in western Japan. Ernest Bramah (1868–1942) was an English author whose works ranged from comedy to science fiction to the supernatural. His greatest work was The Wallet of Kai Lung, the collection of short stories contained in this volume that feature the nominal ancient Chinese storyteller, Kai Lung. The narrator undergoes several fantastic encounters with dragons, demons and gods and the character has obtained a cult-like status amongst fantasy connoisseurs.

Others sought to combine the sensibilities of gothic horror with a newfound interest in the supernatural. The American writer and illustrator Robert William Chambers (1865–1933) created in The King in Yellow, the collection from which many of the stories in this volume are taken, a landmark statement in weird fiction. He turned away from the tropes of werewolves, vampires and ghosts towards an altogether more alien, cosmic horror. He was not the only one to do so. Arthur Machen (1863–1947), the Welsh writer, took his inspiration from pagan ritual. In his controversial novella, The Great God Pan, described by Stephen King as “maybe the best [horror story] in the English language”, a young girl is forced to see the terrifying truth behind the Devil, known as Pan. These authors set the stage for a new generation of fantasy writers.

Between the First and Second World Wars a new style of writing took hold. Pulp magazines had grown rapidly in popularity from their emergence at the turn of the century. Cheaply produced, and cheaply sold, they were short fiction magazines that garnered a wide audience and were often ridiculed by literary critics. Nonetheless, they provided an essential medium for developing fantasy writers. Pulps such as Argosy and Weird Tales helped stimulate young writers who found their work rejected by publishers more interested in maintaining the status quo. G. G. Pendarves, the pseudonym of the English author Gladys Gordon Trenery, published a number of supernatural stories for Weird Tales and in the “Werewolf of the Sahara” she wrote an evocative tale of horror that characterized the strengths of the genre.

The two most successful pulp writers of this period were H.P. Lovecraft (1890–1937) and Robert E. Howard (1906–1936). Both lived short, unhappy yet extraordinarily productive lives. Lovecraft was a prolific writer best known for his creation of the Cthulhu universe. Profoundly affected by the death of his grandfather in 1904, he turned to an isolated existence where he honed his literary craft.

Born an only son in a dysfunctional Texan family and first-hand witness to the violence of the day through his father’s career as a doctor, Howard turned to fiction for an escape. A voracious reader, he soon aspired towards creating his own fiction. Over the course of his career, Howard wrote more than 100 stories. Included here are several featuring his most famous character, Conan the Cimmerian. There is perhaps no more iconic character in the history of sword & sorcery than the powerful, sullen barbarian who roamed the Hyborian world saving princesses, fighting wizards and acting at times as thief, mercenary, pirate and even king.

Neither writer managed to achieve commercial success during their own lifetimes, but their influence on their respective genres has been profound. Lovecraft has been cited as the key inspiration for writers as diverse as Stephen King, Neil Gaiman and China Miéville, while there is hardly a fantasy writer working today that does not acknowledge a debt to Robert E. Howard.

The Phoenix on the Sword

by Robert E. Howard

I

“Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold.

But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”

—The Nemedian Chronicles

Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn. Into a dim alley, one of a veritable labyrinth of mysterious winding ways, four masked figures came hurriedly from a door, which a dusky hand furtively opened. They spoke not but went swiftly into the gloom, cloaks wrapped closely about them; as silently as the ghosts of murdered men they disappeared in the darkness. Behind them a sardonic countenance was framed in the partly opened door; a pair of evil eyes glittered malevolently in the gloom.

“Go into the night, creatures of the night,” a voice mocked. “Oh, fools, your doom hounds your heels like a blind dog, and you know it not.”

The speaker closed the door and bolted it, then turned and went up the corridor, candle in hand. He was a somber giant, whose dusky skin revealed his Stygian blood. He came into an inner chamber, where a tall, lean man in worn velvet lounged like a great lazy cat on a silken couch, sipping wine from a huge golden goblet.

“Well, Ascalante,” said the Stygian, setting down the candle, “your dupes have slunk into the streets like rats from their burrows. You work with strange tools.”

“Tools?” replied Ascalante. “Why, they consider me that. For months now, ever since the Rebel Four summoned me from the southern desert, I have been living in the very heart of my enemies, hiding by day in this obscure house, skulking through dark alleys and darker corridors at night. And I have accomplished what those rebellious nobles could not. Working through them, and through other agents, many of whom have never seen my face, I have honeycombed the empire with sedition and unrest. In short I, working in the shadows, have paved the downfall of the king who sits throned in the sun. By Mitra, I was a statesman before I was an outlaw.”

“And these dupes who deem themselves your masters?”

“They will continue to think that I serve them, until our present task is completed. Who are they to match wits with Ascalante? Volmana, the dwarfish count of Karaban; Gromel, the giant commander of the Black Legion; Dion, the fat baron of Attalus; Rinaldo, the hare-brained minstrel. I am the force which has welded together the steel in each, and by the clay in each, I will crush them when the time comes. But that lies in the future; tonight the king dies.”

“Days ago I saw the imperial squadrons ride from the city,” said the Stygian.

“They rode to the frontier which the heathen Picts assail—thanks to the strong liquor which I’ve smuggled over the borders to madden them. Dion’s great wealth made that possible. And Volmana made it possible to dispose of the rest of the imperial troops which remained in the city. Through his princely kin in Nemedia, it was easy to persuade King Numa to request the presence of Count Trocero of Poitain, seneschal of Aquilonia; and of course, to do him honor, he’ll be accompanied by an imperial escort, as well as his own troops, and Prospero, King Conan’s righthand man. That leaves only the king’s personal bodyguard in the city—beside the Black Legion. Through Gromel I’ve corrupted a spendthrift officer of that guard, and bribed him to lead his men away from the king’s door at midnight.

“Then, with sixteen desperate rogues of mine, we enter the palace by a secret tunnel. After the deed is done, even if the people do not rise to welcome us, Gromel’s Black Legion will be sufficient to hold the city and the crown.”

“And Dion thinks that crown will be given to him?”

“Yes. The fat fool claims it by reason of a trace of royal blood. Conan makes a bad mistake in letting men live who still boast descent from the old dynasty, from which he tore the crown of Aquilonia.

“Volmana wishes to be reinstated in royal favor as he was under the old regime, so that he may lift his poverty-ridden estates to their former grandeur. Gromel hates Pallantides, commander of the Black Dragons, and desires the command of the whole army, with all the stubbornness of the Bossonian. Alone of us all, Rinaldo has no personal ambition. He sees in Conan a red-handed, rough-footed barbarian who came out of the north to plunder a civilized land. He idealizes the king whom Conan killed to get the crown, remembering only that he occasionally patronized the arts, and forgetting the evils of his reign, and he is making the people forget. Already they openly sing The Lament for the King in which Rinaldo lauds the sainted villain and denounces Conan as ‘that black-hearted savage from the abyss.’ Conan laughs, but the people snarl.”

“Why does he hate Conan?”

“Poets always hate those in power. To them perfection is always just behind the last corner, or beyond the next. They escape the present in dreams of the past and future. Rinaldo is a flaming torch of idealism, rising, as he thinks, to overthrow a tyrant and liberate the people. As for me—well, a few months ago I had lost all ambition but to raid the caravans for the rest of my life; now old dreams stir. Conan will die; Dion will mount the throne. Then he, too, will die. One by one, all who oppose me will die—by fire, or steel, or those deadly wines you know so well how to brew. Ascalante, king of Aquilonia! How like you the sound of it?”

The Stygian shrugged his broad shoulders.

“There was a time,” he said with unconcealed bitterness, “when I, too, had my ambitions, beside which yours seem tawdry and childish. To what a state I have fallen! My old-time peers and rivals would stare indeed could they see Thoth-amon of the Ring serving as the slave of an outlander, and an outlaw at that; and aiding in the petty ambitions of barons and kings!”

“You laid your trust in magic and mummery,” answered Ascalante carelessly. “I trust my wits and my sword.”

“Wits and swords are as straws against the wisdom of the Darkness,” growled the Stygian, his dark eyes flickering with menacing lights and shadows. “Had I not lost the Ring, our positions might be reversed.”

“Nevertheless,” answered the outlaw impatiently, “you wear the stripes of my whip on your back, and are likely to continue to wear them.”

“Be not so sure!” the fiendish hatred of the Stygian glittered for an instant redly in his eyes. “Some day, somehow, I will find the Ring again, and when I do, by the serpent-fangs of Set, you shall pay—”

The hot-tempered Aquilonian started up and struck him heavily across the mouth. Thoth reeled back, blood starting from his lips.

“You grow over-bold, dog,” growled the outlaw. “Have a care; I am still your master who knows your dark secret. Go upon the housetops and shout that Ascalante is in the city plotting against the king—if you dare.”

“I dare not,” muttered the Stygian, wiping the blood from his lips.

“No, you do not dare,” Ascalante grinned bleakly. “For if I die by your stealth or treachery, a hermit priest in the southern desert will know of it, and will break the seal of a manuscript I left in his hands. And having read, a word will be whispered in Stygia, and a wind will creep up from the south by midnight. And where will you hide your head, Thoth-amon?”

The slave shuddered and his dusky face went ashen.

“Enough!” Ascalante changed his tone peremptorily. “I have work for you. I do not trust Dion. I bade him ride to his country estate and remain there until the work tonight is done. The fat fool could never conceal his nervousness before the king today. Ride after him, and if you do not overtake him on the road, proceed to his estate and remain with him until we send for him. Don’t let him out of your sight. He is mazed with fear, and might bolt—might even rush to Conan in a panic, and reveal the whole plot, hoping thus to save his own hide. Go!”

The slave bowed, hiding the hate in his eyes, and did as he was bidden. Ascalante turned again to his wine. Over the jeweled spires was rising a dawn crimson as blood.

II

When I was a fighting-man, the kettle-drums they beat,

The people scattered gold-dust before my horses’ feet;

But now I am a great king, the people hound my track

With poison in my wine-cup, and daggers at my back.

—The Road of Kings

The room was large and ornate, with rich tapestries on the polished, panelled walls, deep rugs on the ivory floor, and with the lofty ceiling adorned with intricate carvings and silver scrollwork. Behind an ivory, gold-inlaid writing-table sat a man whose broad shoulders and sun-browned skin seemed out of place among those luxuriant surroundings. He seemed more a part of the sun and winds and high places of the outlands. His slightest movement spoke of steel-spring muscles knit to a keen brain with the co-ordination of a born fighting-man. There was nothing deliberate or measured about his actions. Either he was perfectly at rest—still as a bronze statue—or else he was in motion, not with the jerky quickness of over-tense nerves, but with a cat-like speed that blurred the sight that tried to follow him.

His garments were of rich fabric, but simply made. He wore no ring or ornaments, and his square-cut black mane was confined merely by a cloth-of-silver band about his head.

Now he laid down the golden stylus with which he had been laboriously scrawling on waxed papyrus, rested his chin on his fist, and fixed his smoldering blue eyes enviously on the man who stood before him. This person was occupied in his own affairs at the moment, for he was taking up the laces of his gold-chased armor, and abstractedly whistling—a rather unconventional performance, considering that he was in the presence of a king.

“Prospero,” said the man at the table, “these matters of statecraft weary me as all the fighting I have done never did.”

“All part of the game, Conan,” answered the dark-eyed Poitainian. “You are king—you must play the part.”

“I wish I might ride with you to Nemedia,” said Conan enviously. “It seems ages since I had a horse between my knees—but Publius says that affairs in the city require my presence. Curse him!

“When I overthrew the old dynasty,” he continued, speaking with the easy familiarity which existed only between the Poitainian and himself, “it was easy enough, though it seemed bitter hard at the time. Looking back now over the wild path I followed, all those days of toil, intrigue, slaughter and tribulation seem like a dream.

“I did not dream far enough, Prospero. When King Numedides lay dead at my feet and I tore the crown from his gory head and set it on my own, I had reached the ultimate border of my dreams. I had prepared myself to take the crown, not to hold it. In the old free days all I wanted was a sharp sword and a straight path to my enemies. Now no paths are straight and my sword is useless.

“When I overthrew Numedides, then I was the Liberator—now they spit at my shadow. They have put a statue of that swine in the temple of Mitra, and people go and wail before it, hailing it as the holy effigy of a saintly monarch who was done to death by a red-handed barbarian. When I led her armies to victory as a mercenary, Aquilonia overlooked the fact that I was a foreigner, but now she cannot forgive me.

“Now in Mitra’s temple there come to burn incense to Numedides’ memory, men whom his hangmen maimed and blinded, men whose sons died in his dungeons, whose wives and daughters were dragged into his seraglio. The fickle fools!”

“Rinaldo is largely responsible,” answered Prospero, drawing up his sword-belt another notch. “He sings songs that make men mad. Hang him in his jester’s garb to the highest tower in the city. Let him make rimes for the vultures.”

Conan shook his lion head. “No, Prospero, he’s beyond my reach. A great poet is greater than any king. His songs are mightier than my scepter; for he has near ripped the heart from my breast when he chose to sing for me. I shall die and be forgotten, but Rinaldo’s songs will live for ever.

“No, Prospero,” the king continued, a somber look of doubt shadowing his eyes, “there is something hidden, some undercurrent of which we are not aware. I sense it as in my youth I sensed the tiger hidden in the tall grass. There is a nameless unrest throughout the kingdom. I am like a hunter who crouches by his small fire amid the forest, and hears stealthy feet padding in the darkness, and almost sees the glimmer of burning eyes. If I could but come to grips with something tangible, that I could cleave with my sword! I tell you, it’s not by chance that the Picts have of late so fiercely assailed the frontiers, so that the Bossonians have called for aid to beat them back. I should have ridden with the troops.”

“Publius feared a plot to trap and slay you beyond the frontier,” replied Prospero, smoothing his silken surcoat over his shining mail, and admiring his tall lithe figure in a silver mirror. “That’s why he urged you to remain in the city. These doubts are born of your barbarian instincts. Let the people snarl! The mercenaries are ours, and the Black Dragons, and every rogue in Poitain swears by you. Your only danger is assassination, and that’s impossible, with men of the imperial troops guarding you day and night. What are you working at there?”

“A map,” Conan answered with pride. “The maps of the court show well the countries of south, east and west, but in the north they are vague and faulty. I am adding the northern lands myself. Here is Cimmeria, where I was born. And—”

“Asgard and Vanaheim,” Prospero scanned the map. “By Mitra, I had almost believed those countries to have been fabulous.”

Conan grinned savagely, involuntarily touching the scars on his dark face. “You had known otherwise, had you spent your youth on the northern frontiers of Cimmeria! Asgard lies to the north, and Vanaheim to the northwest of Cimmeria, and there is continual war along the borders.”

“What manner of men are these northern folk?” asked Prospero.

“Tall and fair and blue-eyed. Their god is Ymir, the frost-giant, and each tribe has its own king. They are wayward and fierce. They fight all day and drink ale and roar their wild songs all night.”

“Then I think you are like them,” laughed Prospero. “You laugh greatly, drink deep and bellow good songs; though I never saw another Cimmerian who drank aught but water, or who ever laughed, or ever sang save to chant dismal dirges.”

“Perhaps it’s the land they live in,” answered the king. “A gloomier land never was—all of hills, darkly wooded, under skies nearly always gray, with winds moaning drearily down the valleys.”

“Little wonder men grow moody there,” quoth Prospero with a shrug of his shoulders, thinking of the smiling sun-washed plains and blue lazy rivers of Poitain, Aquilonia’s southernmost province.

“They have no hope here or hereafter,” answered Conan. “Their gods are Crom and his dark race, who rule over a sunless place of everlasting mist, which is the world of the dead. Mitra! The ways of the Æsir were more to my liking.”

“Well,” grinned Prospero, “the dark hills of Cimmeria are far behind you. And now I go. I’ll quaff a goblet of white Nemedian wine for you at Numa’s court.”

“Good,” grunted the king, “but kiss Numa’s dancing-girls for yourself only, lest you involve the states!”

His gusty laughter followed Prospero out of the chamber.

III

Under the caverned pyramids great Set coils asleep;

Among the shadows of the tombs his dusky people creep.

I speak the Word from the hidden gulfs that never knew the sun

Send me a servant for my hate, oh scaled and shining One!

The sun was setting, etching the green and hazy blue of the forest in brief gold. The waning beams glinted on the thick golden chain which Dion of Attalus twisted continually in his pudgy hand as he sat in the flaming riot of blossoms and flower-trees which was his garden. He shifted his fat body on his marble seat and glanced furtively about, as if in quest of a lurking enemy. He sat within a circular grove of slender trees, whose interlapping branches cast a thick shade over him. Near at hand a fountain tinkled silverly, and other unseen fountains in various parts of the great garden whispered an everlasting symphony.

Dion was alone except for the great dusky figure which lounged on a marble bench close at hand, watching the baron with deep somber eyes. Dion gave little thought to Thoth-amon. He vaguely knew that he was a slave in whom Ascalante reposed much trust, but like so many rich men, Dion paid scant heed to men below his own station in life.

“You need not be so nervous,” said Thoth. “The plot cannot fail.”

“Ascalante can make mistakes as well as another,” snapped Dion, sweating at the mere thought of failure.

“Not he,” grinned the Stygian savagely, “else I had not been his slave, but his master.”

“What talk is this?” peevishly returned Dion, with only half a mind on the conversation.

Thoth-amon’s eyes narrowed. For all his iron self-control, he was near bursting with long pent-up shame, hate and rage, ready to take any sort of a desperate chance. What he did not reckon on was the fact that Dion saw him, not as a human being with a brain and a wit, but simply a slave, and as such, a creature beneath notice.

“Listen to me,” said Thoth. “You will be king. But you little know the mind of Ascalante. You can not trust him, once Conan is slain. I can help you. If you will protect me when you come to power, I will aid you.

“Listen, my lord. I was a great sorcerer in the south. Men spoke of Thoth-amon as they spoke of Rammon. King Ctesphon of Stygia gave me great honor, casting down the magicians from the high places to exalt me above them. They hated me, but they feared me, for I controlled beings from outside which came at my call and did my bidding. By Set, mine enemy knew not the hour when he might awake at midnight to feel the taloned fingers of a nameless horror at his throat! I did dark and terrible magic with the Serpent Ring of Set, which I found in a nighted tomb a league beneath the earth, forgotten before the first man crawled out of the slimy sea.

“But a thief stole the Ring and my power was broken. The magicians rose up to slay me, and I fled. Disguised as a camel-driver, I was traveling in a caravan in the land of Koth, when Ascalante’s reavers fell upon us. All in the caravan were slain except myself; I saved my life by revealing my identity to Ascalante and swearing to serve him. Bitter has been that bondage!

“To hold me fast, he wrote of me in a manuscript, and sealed it and gave it into the hands of a hermit who dwells on the southern borders of Koth. I dare not strike a dagger into him while he sleeps, or betray him to his enemies, for then the hermit would open the manuscript and read—thus Ascalante instructed him. And he would speak a word in Stygia—”

Again Thoth shuddered and an ashen hue tinged his dusky skin.

“Men knew me not in Aquilonia,” he said. “But should my enemies in Stygia learn my whereabouts, not the width of half a world between us would suffice to save me from such a doom as would blast the soul of a bronze statue. Only a king with castles and hosts of swordsmen could protect me. So I have told you my secret, and urge that you make a pact with me. I can aid you with my wisdom, and you can protect me. And some day I will find the Ring—”

“Ring? Ring?” Thoth had underestimated the man’s utter egoism. Dion had not even been listening to the slave’s words, so completely engrossed was he in his own thoughts, but the final word stirred a ripple in his self-centeredness.

“Ring?” he repeated. “That makes me remember—my ring of good fortune. I had it from a Shemitish thief who swore he stole it from a wizard far to the south, and that it would bring me luck. I paid him enough, Mitra knows. By the gods, I need all the luck I can have, what with Volmana and Ascalante dragging me into their bloody plots—I’ll see to the ring.”

Thoth sprang up, blood mounting darkly to his face, while his eyes flamed with the stunned fury of a man who suddenly realizes the full depths of a fool’s swinish stupidity. Dion never heeded him. Lifting a secret lid in the marble seat, he fumbled for a moment among a heap of gewgaws of various kinds—barbaric charms, bits of bones, pieces of tawdry jewelry—luck-pieces and conjures which the man’s superstitious nature had prompted him to collect.

“Ah, here it is!” He triumphantly lifted a ring of curious make. It was of a metal like copper, and was made in the form of a scaled serpent, coiled in three loops, with its tail in its mouth. Its eyes were yellow gems which glittered balefully. Thoth-amon cried out as if he had been struck, and Dion wheeled and gaped, his face suddenly bloodless. The slave’s eyes were blazing, his mouth wide, his huge dusky hands outstretched like talons.

“The Ring! By Set! The Ring!” he shrieked. “My Ring—stolen from me—” Steel glittered in the Stygian’s hand and with a heave of his great dusky shoulders he drove the dagger into the baron’s fat body. Dion’s high thin squeal broke in a strangled gurgle and his whole flabby frame collapsed like melted butter. A fool to the end, he died in mad terror, not knowing why. Flinging aside the crumpled corpse, already forgetful of it, Thoth grasped the ring in both hands, his dark eyes blazing with a fearful avidness.

“My Ring!” he whispered in terrible exultation. “My power!”

How long he crouched over the baleful thing, motionless as a statue, drinking the evil aura of it into his dark soul, not even the Stygian knew. When he shook himself from his reverie and drew back his mind from the nighted abysses where it had been questing, the moon was rising, casting long shadows across the smooth marble back of the garden-seat, at the foot of which sprawled the darker shadow which had been the lord of Attalus.

“No more, Ascalante, no more!” whispered the Stygian, and his eyes burned red as a vampire’s in the gloom. Stooping, he cupped a handful of congealing blood from the sluggish pool in which his victim sprawled, and rubbed it in the copper serpent’s eyes until the yellow sparks were covered by a crimson mask.

“Blind your eyes, mystic serpent,” he chanted in a blood-freezing whisper. “Blind your eyes to the moonlight and open them on darker gulfs! What do you see, oh serpent of Set? Whom do you call from the gulfs of the Night? Whose shadow falls on the waning Light? Call him to me, oh serpent of Set!”

Stroking the scales with a peculiar circular motion of his fingers, a motion which always carried the fingers back to their starting place, his voice sank still lower as he whispered dark names and grisly incantations forgotten the world over save in the grim hinterlands of dark Stygia, where monstrous shapes move in the dusk of the tombs.

There was a movement in the air about him, such a swirl as is made in water when some creature rises to the surface. A nameless, freezing wind blew on him briefly, as if from an opened door. Thoth felt a presence at his back, but he did not look about. He kept his eyes fixed on the moonlit space of marble, on which a tenuous shadow hovered. As he continued his whispered incantations, this shadow grew in size and clarity, until it stood out distinct and horrific. Its outline was not unlike that of a gigantic baboon, but no such baboon ever walked the earth, not even in Stygia. Still Thoth did not look, but drawing from his girdle a sandal of his master—always carried in the dim hope that he might be able to put it to such use—he cast it behind him.

“Know it well, slave of the Ring!” he exclaimed. “Find him who wore it and destroy him! Look into his eyes and blast his soul, before you tear out his throat! Kill him! Aye,” in a blind burst of passion, “and all with him!”

Etched on the moonlit wall Thoth saw the horror lower its misshapen head and take the scent like some hideous hound. Then the grisly head was thrown back and the thing wheeled and was gone like a wind through the trees. The Stygian flung up his arms in maddened exultation, and his teeth and eyes gleamed in the moonlight.

A soldier on guard without the walls yelled in startled horror as a great loping black shadow with flaming eyes cleared the wall and swept by him with a swirling rush of wind. But it was gone so swiftly that the bewildered warrior was left wondering whether it had been a dream or a hallucination.

IV

When the world was young and men were weak, and the fiends of the night

walked free,

I strove with Set by fire and steel and the juice of the upas tree;

Now that I sleep in the mount’s black heart, and the ages take their toll,

Forget ye him who fought with the Snake to save the human soul?

Alone in the great sleeping-chamber with its high golden dome King Conan slumbered and dreamed. Through swirling gray mists he heard a curious call, faint and far, and though he did not understand it, it seemed not within his power to ignore it. Sword in hand he went through the gray mist, as a man might walk through clouds, and the voice grew more distinct as he proceeded until he understood the word it spoke—it was his own name that was being called across the gulfs of Space or Time.

Now the mists grew lighter and he saw that he was in a great dark corridor that seemed to be cut in solid black stone. It was unlighted, but by some magic he could see plainly. The floor, ceiling and walls were highly polished and gleamed dull, and they were carved with the figures of ancient heroes and half-forgotten gods. He shuddered to see the vast shadowy outlines of the Nameless Old Ones, and he knew somehow that mortal feet had not traversed the corridor for centuries.

He came upon a wide stair carved in the solid rock, and the sides of the shaft were adorned with esoteric symbols so ancient and horrific that King Conan’s skin crawled. The steps were carven each with the abhorrent figure of the Old Serpent, Set, so that at each step he planted his heel on the head of the Snake, as it was intended from old times. But he was none the less at ease for all that.

But the voice called him on, and at last, in darkness that would have been impenetrable to his material eyes, he came into a strange crypt, and saw a vague white-bearded figure sitting on a tomb. Conan’s hair rose up and he grasped his sword, but the figure spoke in sepulchral tones.

“Oh man, do you know me?”

“Not I, by Crom!” swore the king.

“Man,” said the ancient, “I am Epemitreus.”

“But Epemitreus the Sage has been dead for fifteen hundred years!” stammered Conan.

“Harken!” spoke the other commandingly. “As a pebble cast into a dark lake sends ripples to the further shores, happenings in the Unseen world have broken like waves on my slumber. I have marked you well, Conan of Cimmeria, and the stamp of mighty happenings and great deeds is upon you. But dooms are loose in the land, against which your sword cannot aid you.”

“You speak in riddles,” said Conan uneasily. “Let me see my foe and I’ll cleave his skull to the teeth.”

“Loose your barbarian fury against your foes of flesh and blood,” answered the ancient. “It is not against men I must shield you. There are dark worlds barely guessed by man, wherein formless monsters stalk—fiends which may be drawn from the Outer Voids to take material shape and rend and devour at the bidding of evil magicians. There is a serpent in your house, oh king—an adder in your kingdom, come up from Stygia, with the dark wisdom of the shadows in his murky soul. As a sleeping man dreams of the serpent which crawls near him, I have felt the foul presence of Set’s neophyte. He is drunk with terrible power, and the blows he strikes at his enemy may well bring down the kingdom. I have called you to me, to give you a weapon against him and his hell-hound pack.”

“But why?” bewilderedly asked Conan. “Men say you sleep in the black heart of Golamira, whence you send forth your ghost on unseen wings to aid Aquilonia in times of need, but I—I am an outlander and a barbarian.”

“Peace!” the ghostly tones reverberated through the great shadowy cavern. “Your destiny is one with Aquilonia. Gigantic happenings are forming in the web and the womb of Fate, and a blood-mad sorcerer shall not stand in the path of imperial destiny. Ages ago Set coiled about the world like a python about its prey. All my life, which was as the lives of three common men, I fought him. I drove him into the shadows of the mysterious south, but in dark Stygia men still worship him who to us is the arch-demon. As I fought Set, I fight his worshipers and his votaries and his acolytes. Hold out your sword.”

Wondering, Conan did so, and on the great blade, close to the heavy silver guard, the ancient traced with a bony finger a strange symbol that glowed like white fire in the shadows. And on the instant crypt, tomb and ancient vanished, and Conan, bewildered, sprang from his couch in the great golden-domed chamber. And as he stood, bewildered at the strangeness of his dream, he realized that he was gripping his sword in his hand. And his hair prickled at the nape of his neck, for on the broad blade was carven a symbol—the outline of a phoenix. And he remembered that on the tomb in the crypt he had seen what he had thought to be a similar figure, carven of stone. Now he wondered if it had been but a stone figure, and his skin crawled at the strangeness of it all.

Then as he stood, a stealthy sound in the corridor outside brought him to life, and without stopping to investigate, he began to don his armor; again he was the barbarian, suspicious and alert as a gray wolf at bay.

V

What do I know of cultured ways, the gilt, the craft and the lie?

I, who was born in a naked land and bred in the open sky.

The subtle tongue, the sophist guile, they fail when the broadswords sing;

Rush in and die, dogs—I was a man before I was a king.

—The Road of Kings

Through the silence which shrouded the corridor of the royal palace stole twenty furtive figures. Their stealthy feet, bare or cased in soft leather, made no sound either on thick carpet or bare marble tile. The torches which stood in niches along the halls gleamed red on dagger, sword and keen-edged ax.

“Easy all!” hissed Ascalante. “Stop that cursed loud breathing, whoever it is! The officer of the night-guard has removed most of the sentries from these halls and made the rest drunk, but we must be careful, just the same. Back! Here come the guard!”

They crowded back behind a cluster of carven pillars, and almost immediately ten giants in black armor swung by at a measured pace. Their faces showed doubt as they glanced at the officer who was leading them away from their post of duty. This officer was rather pale; as the guard passed the hiding-places of the conspirators, he was seen to wipe the sweat from his brow with a shaky hand. He was young, and this betrayal of a king did not come easy to him. He mentally cursed the vainglorious extravagance which had put him in debt to the money-lenders and made him a pawn of scheming politicians.

The guardsmen clanked by and disappeared up the corridor.

“Good!” grinned Ascalante. “Conan sleeps unguarded. Haste! If they catch us killing him, we’re undone—but few men will espouse the cause of a dead king.”

“Aye, haste!” cried Rinaldo, his blue eyes matching the gleam of the sword he swung above his head. “My blade is thirsty! I hear the gathering of the vultures! On!”

They hurried down the corridor with reckless speed and stopped before a gilded door which bore the royal dragon symbol of Aquilonia.

“Gromel!” snapped Ascalante. “Break me this door open!”

The giant drew a deep breath and launched his mighty frame against the panels, which groaned and bent at the impact. Again he crouched and plunged. With a snapping of bolts and a rending crash of wood, the door splintered and burst inward.

“In!” roared Ascalante, on fire with the spirit of the deed.

“In!” yelled Rinaldo. “Death to the tyrant!”

They stopped short. Conan faced them, not a naked man roused mazed and unarmed out of deep sleep to be butchered like a sheep, but a barbarian wide-awake and at bay, partly armored, and with his long sword in his hand.

For an instant the tableau held—the four rebel noblemen in the broken door, and the horde of wild hairy faces crowding behind them—all held momentarily frozen by the sight of the blazing-eyed giant standing sword in hand in the middle of the candle-lighted chamber. In that instant Ascalante beheld, on a small table near the royal couch, the silver scepter and the slender gold circlet which was the crown of Aquilonia, and the sight maddened him with desire.

“In, rogues!” yelled the outlaw. “He is one to twenty and he has no helmet!”

True; there had been lack of time to don the heavy plumed casque, or to lace in place the side-plates of the cuirass, nor was there now time to snatch the great shield from the wall. Still, Conan was better protected than any of his foes except Volmana and Gromel, who were in full armor.

The king glared, puzzled as to their identity. Ascalante he did not know; he could not see through the closed vizors of the armored conspirators, and Rinaldo had pulled his slouch cap down above his eyes. But there was no time for surmise. With a yell that rang to the roof, the killers flooded into the room, Gromel first. He came like a charging bull, head down, sword low for the disemboweling thrust. Conan sprang to meet him, and all his tigerish strength went into the arm that swung the sword. In a whistling arc the great blade flashed through the air and crashed on the Bossonian’s helmet. Blade and casque shivered together and Gromel rolled lifeless on the floor. Conan bounded back, still gripping the broken hilt.

“Gromel!” he spat, his eyes blazing in amazement, as the shattered helmet disclosed the shattered head; then the rest of the pack were upon him. A dagger point raked along his ribs between breastplate and backplate, a sword-edge flashed before his eyes. He flung aside the dagger-wielder with his left arm, and smashed his broken hilt like a cestus into the swordsman’s temple. The man’s brains spattered in his face.

“Watch the door, five of you!” screamed Ascalante, dancing about the edge of the singing steel whirlpool, for he feared that Conan might smash through their midst and escape. The rogues drew back momentarily, as their leader seized several and thrust them toward the single door, and in that brief respite Conan leaped to the wall and tore therefrom an ancient battle-ax which, untouched by time, had hung there for half a century.

With his back to the wall he faced the closing ring for a flashing instant, then leaped into the thick of them. He was no defensive fighter; even in the teeth of overwhelming odds he always carried the war to the enemy. Any other man would have already died there, and Conan himself did not hope to survive, but he did ferociously wish to inflict as much damage as he could before he fell. His barbaric soul was ablaze, and the chants of old heroes were singing in his ears.

As he sprang from the wall his ax dropped an outlaw with a severed shoulder, and the terrible back-hand return crushed the skull of another. Swords whined venomously about him, but death passed him by breathless margins. The Cimmerian moved in, a blur of blinding speed. He was like a tiger among baboons as he leaped, side-stepped and spun, offering an ever-moving target, while his ax wove a shining wheel of death about him.

For a brief space the assassins crowded him fiercely, raining blows blindly and hampered by their own numbers; then they gave back suddenly—two corpses on the floor gave mute evidence of the king’s fury, though Conan himself was bleeding from wounds on arm, neck and legs.

“Knaves!” screamed Rinaldo, dashing off his feathered cap, his wild eyes glaring. “Do ye shrink from the combat? Shall the despot live? Out on it!”

He rushed in, hacking madly, but Conan, recognizing him, shattered his sword with a short terrific chop and with a powerful push of his open hand sent him reeling to the floor. The king took Ascalante’s point in his left arm, and the outlaw barely saved his life by ducking and springing backward from the swinging ax. Again the wolves swirled in and Conan’s ax sang and crushed. A hairy rascal stooped beneath its stroke and dived at the king’s legs, but after wrestling for a brief instant at what seemed a solid iron tower, glanced up in time to see the ax falling, but not in time to avoid it. In the interim, one of his comrades lifted a broadsword with both hands and hewed through the king’s left shoulder-plate, wounding the shoulder beneath. In an instant Conan’s cuirass was full of blood.

Volmana, flinging the attackers right and left in his savage impatience, came plowing through and hacked murderously at Conan’s unprotected head. The king ducked deeply and the sword shaved off a lock of his black hair as it whistled above him. Conan pivoted on his heel and struck in from the side. The ax crunched through the steel cuirass and Volmana crumpled with his whole left side caved in.

“Volmana!” gasped Conan breathlessly. “I’ll know that dwarf in Hell—” He straightened to meet the maddened rush of Rinaldo, who charged in wild and wide open, armed only with a dagger. Conan leaped back, lifting his ax.

“Rinaldo!” his voice was strident with desperate urgency. “Back! I would not slay you—”

“Die, tyrant!” screamed the mad minstrel, hurling himself headlong on the king. Conan delayed the blow he was loth to deliver, until it was too late. Only when he felt the bite of the steel in his unprotected side did he strike, in a frenzy of blind desperation.

Rinaldo dropped with his skull shattered, and Conan reeled back against the wall, blood spurting from between the fingers which gripped his wound.

“In, now, and slay him!” yelled Ascalante.

Conan put his back against the wall and lifted his ax. He stood like an image of the unconquerable primordial—legs braced far apart, head thrust forward, one hand clutching the wall for support, the other gripping the ax on high, with the great corded muscles standing out in iron ridges, and his features frozen in a death snarl of fury—his eyes blazing terribly through the mist of blood which veiled them. The men faltered—wild, criminal and dissolute though they were, yet they came of a breed men called civilized, with a civilized background; here was the barbarian—the natural killer. They shrank back—the dying tiger could still deal death.