Details
Python beyond Python
Critical Engagements with CulturePalgrave Studies in Comedy
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117,69 € |
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| Verlag: | Palgrave Macmillan |
| Format: | |
| Veröffentl.: | 14.07.2017 |
| ISBN/EAN: | 9783319513850 |
| Sprache: | englisch |
Dieses eBook enthält ein Wasserzeichen.
Beschreibungen
<div><div>This collection of original, interdisciplinary essays addresses the work of Monty Python members beyond the comedy show, films, and live performances. These men are prolific creators in a variety of artistic realms beyond the confines of the comedy troupe. Their work as individuals, before and after coming together as Monty Python, demonstrates a restless curiosity about culture that embraces absurdity but seldom becomes cynical. Python members collectively and individually create unique approaches to theatre, film, video games, comic books, business training videos and more. <i>Python Beyond Python</i> increases our understanding of this often neglected work and the meanings of Monty Python.</div></div>
<div>1. Chapter 1: Introduction: The Whole of the Parts - Paul N. Reinsch.- 2. Part I: Solo Work(s) - Chapter 2: How Eric Idle Found His Grail: The Journey of Monty Python’s Spamalot from Film to Broadway - Rebecca Wright.- 3. Chapter 3: From Silly to Scholarly: The Complete and Utter History of Terry Jones - Kevin F. Kern.- 4. Chapter 4: Python, Heritage, and Michael Palin’s Diaries - Peter Clandfield.- 5. Chapter 5: Getting There: Michael Palin’s Travels - Thomas Prasch.- 6. Chapter 6: Grotesque Unrealism: Terry Gilliam’s Jabberwocky - Rick Hudson.- 7. Chapter 7: From Witness Box to the Bench: Meetings, Bloody Meetings, Video Arts, and the Evolution of John Cleese - Paul N. Reinsch and N. L. Reinsch, Jr..- 8. Part II: Pre- and Post-Python Collaborations - Chapter 8: Joining the Circus: The Pythons before Monty Python - Brian Cogan and Jeff Massey.- 9. Chapter 9: Playing With the Past: The Complete and Utter History of Britain in the Context of Sixties Television - Kevin M. Flanagan.- 10. Chapter 10: Thrilling Adventures in Post-Colonial Culture: From Empire to Commonwealth in Ripping Yarns and British Popular Culture - Rick Hudson.- 11. A Liar’s Autobiography: Animation and the Unreliable Biopic - Annabelle Honess Roe.- 12. Chapter 12: Superman in the Python Universe - Robert G. Weiner.- 13. Chapter 13: Starship Titanic and the Perils of Pythonesque Gaming - Robert Buerkle. </div><div><br/></div>
<div><div><div><br/></div><div>Paul N. Reinsch is Assistant Professor of Practice—Cinema at Texas Tech University, USA. He is the author of <i>A Critical Bibliography of Shirley Jackson</i> (2001). </div><div><br/></div><div>B. Lynn Whitfield is Associate Archivist at Texas Tech University, USA. She serves on the Executive Board of the Society of Southwest Archivists and is Associate Director of the West Texas Historical Association.</div><div><br/></div><div>Robert G. Weiner is Popular Culture and Humanities Librarian at Texas Tech University, USA. He has published numerous books and articles related to popular culture.</div></div></div>
<div><br/></div><div>"Python fans who want more than 45 TV shows, five films, and stacks of DVDs, CDs, books and downloads are in for a treat. Python Beyond Python delves into areas that are often overlooked by Python fans, showing the vast reach of the legendary group. If you enjoy uninformative, dull, and non-entertaining books about Monty Python, avoid this one at all costs!"</div><div>- <b>Kim “Howard” Johnson</b>, Author of <i>Monty Python: From the Inside Out</i> (2014),<i> Monty Python's Tunisian Holiday: My Life with Brian </i>(2008), <i>The First 20 Years of Monty Python </i>(1989)<i> </i>and <i>Superman: True Brit</i> (with John Cleese, 2004)</div><div><p> ‘Python Beyond Python ventures into little known facets of Python creativity to indicate, as editor Paul N. Reinsch affirms, that the Pythons are not merely the sum total of their parts but “something else.” Without diminishing the fame and ongoing influence of the canonical Python texts, the authors expand and differentiate the range of contributions each Python makes in cultural forms beyond cinema and TV, including Broadway theatre, training videos, travel, autobiography and history writing.’<br/>- <b>Marcia Landy</b>, Distinguished Professor of English/Film Studies, University of Pittsburgh, USA. Author of <i>Monty Python’s Flying Circus</i> (2005) and <i>Stardom, Italian Style: Screen Performance and Personality in Italian Cinema</i> (2008)</p></div><div><div>This collection of original, interdisciplinary essays addresses the work of Monty Python members beyond the comedy show, films, and live performances. These men are prolific creators in a variety of artistic realms beyond the confines of the comedy troupe. Their work as individuals, before and after coming together as Monty Python, demonstrates a restless curiosity about culture that embraces absurdity but seldom becomes cynical. Python members collectively and individually create unique approaches to theatre, film, video games, comic books,business training videos and more. <i>Python Beyond Python </i>increases our understanding of this often neglected work and the meanings of Monty Python. </div></div><div><br/></div><div><b>Paul N. Reinsch</b> is Assistant Professor of Practice—Cinema at Texas Tech University, USA. He is the author of <i>A Critical Bibliography of Shirley Jackson</i> (2001). </div><div><br/></div><div><b>B. Lynn Whitfield </b>is Associate Archivist at Texas Tech University, USA. She serves on the Executive Board of the Society of Southwest Archivists and is Associate Director of the West Texas Historical Association.</div><div><br/></div><b>Robert G. Weiner </b>is Popular Culture and Humanities Librarian at Texas Tech University, USA. He has published numerous books and articles related to popular culture.<div><br/></div>
Offers diverse perspectives on Monty Python members pre- and post-Monty Python careers and beyond the group’s television series, films, record albums and live performances Includes original interdisciplinary essays addressing a wide range of media and culture production Provides fascinating examples of how comedy is both an intrinsic part of culture and a tool that accesses and shapes every aspect of contemporary life
“Python fans who want more than 45 TV shows, five films, and stacks of DVDs, CDs, books and downloads are in for a treat. Python Beyond Python delves into areas that are often overlooked by Python fans, showing the vast reach of the legendary group. If you enjoy uninformative, dull, and non-entertaining books about Monty Python, avoid this one at all costs!” (Kim “Howard” Johnson, Author of Monty Python: From the Inside Out (2014), Monty Python's Tunisian Holiday: My Life with Brian (2008), The First 20 Years of Monty Python (1989) and Superman: True Brit (with John Cleese, 2004) <p>“Python Beyond Python ventures into little known facets of Python creativity to indicate, as editor Paul N. Reinsch affirms, that the Pythons are not merely the sum total of their parts but “something else.” Without diminishing the fame and ongoing influence of the canonical Python texts, the authors expand and differentiate the range of contributions each Python makes in cultural forms beyond cinema and TV, including Broadway theatre, training videos, travel, autobiography and history writing.” (Marcia Landy, Distinguished Professor of English/Film Studies, University of Pittsburgh, USA. Author of Monty Python’s Flying Circus (2005) and Stardom, Italian Style: Screen Performance and Personality in Italian Cinema, 2008)</p> <p>“In Python Beyond Python we have, finally and at long last, the first steps toward a more careful, more thoughtful, use of “Pythonesque.” It’s a terrific book, really, guaranteed to delight fans of comedy, well-versed in Python or not. By the way, I imagine the other blurbers are also at it, telling you just how swell this book is. They’re right, but, mind you, I’ve actually read a good bit of it.” (Gary Hardcastle, Associate Professor of Philosophy, Bloomsburg University , USA. Co-editor of Monty Python and Philosophy (2006) and Bullshit and Philosophy, 2006)</p>
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