Details

Shakespeare and Authority


Shakespeare and Authority

Citations, Conceptions and Constructions
Palgrave Shakespeare Studies

von: Katie Halsey, Angus Vine

128,39 €

Verlag: Palgrave Macmillan
Format: PDF
Veröffentl.: 19.01.2018
ISBN/EAN: 9781137578532
Sprache: englisch

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Beschreibungen

This book examines conceptions of authority for and in Shakespeare, and the construction of Shakespeare as literary and cultural authority. The first section, Defining and Redefining Authority, begins by re-defining the concept of Shakespeare’s sources, suggesting that ‘authorities’ and ‘resources’ are more appropriate terms. Building on this conceptual framework, the remainder of this section explores linguistic and discursive authority more broadly. The second section, Shakespearean Authority, considers the construction, performance and questioning of authority in Shakespeare’s plays. Essays here range from examinations of monarchical authority to discussions of household authority, literary authority and linguistic ownership. The final part, Shakespeare as Authority, then traces the increasing establishment of Shakespeare as an authority from the eighteenth to the twenty-first century in a series of essays that explore Shakespearean authority for editors, actors, critics, authors, readers and audiences. The volume concludes with two essays that reassess Shakespeare as an authority for visual culture – in the cinema and in contemporary art.
1.&nbsp;‘Dressed in a little brief authority’: Authority Before, During, and After Shakespeare’s Plays -&nbsp;Katie Halsey and Angus Vine.-&nbsp;2.&nbsp;Shakespeare’s Authorities -&nbsp;Colin Burrow.-&nbsp;3.&nbsp;Inside the Elephant’s Graveyard: Revising Geoffrey Bullough’s <i>Narrative and Dramatic Sources of Shakespeare -&nbsp;</i>John Drakakis<i>.-&nbsp;</i>4.&nbsp;Author and Authority in the <i>OED</i>: Nashe vs. Shakespeare -&nbsp;Giles Goodland.-&nbsp;5.&nbsp;“The King’s English” “our English”? Shakespeare and Cultural Ownership -&nbsp;Margaret Tudeau-Clayton.-&nbsp;6.&nbsp;Foundations of Sovereign Authority - The Example of Shakespearean Political Drama -&nbsp;Eric Heinze.-&nbsp;7.&nbsp;‘“A trim reckoning”: Accountability and Authority in <i>1 </i>and<i> 2 Henry IV</i>’ -&nbsp;Angus Vine.-&nbsp;8.&nbsp;What’s the matter with the King’s Ring? Sovereignty, Immunity and Trust in <i>All is True -&nbsp;</i>Joseph Sterrett<i>.-&nbsp;</i>9.&nbsp;‘Constant in any undertaking’: Writingthe Lipsian State in <i>Measure for Measure - </i>&nbsp;Daniel Cadman<i>.-&nbsp;</i>10.&nbsp;‘Authority and obedience’: Malvolio, Stewardship and the Cowdray Manuscript -&nbsp;Eleanor Lowe.-&nbsp;11. Poetic Authority in <i>Julius Caesar</i>: The Triumph of the Poet-Playwright-Actor -&nbsp;Laetitia Sansonetti.-&nbsp;12.&nbsp;The Authority of the Actor in the Eighteenth Century -&nbsp;James Harriman-Smith.-&nbsp;13.&nbsp;John Soane, Shakespeare and the Authority of Style -&nbsp;Andrew Rudd.-&nbsp;14.&nbsp;Whose Gothic Bard? Charles Robert Maturin and Contestations of Shakespearean Authority in British/Irish Romantic Culture -&nbsp;Benedicte Seynhaeve and Raphaël Ingelbien.-&nbsp;15.&nbsp;Authority, Instrumental Reason and the Fault Lines of Modern Civilization in Peter Brook’s Cinematic Rendering of Shakespeare’s <i>King Lear -&nbsp;</i>Paul Tyndall and Fred Ribkoff<i>.-&nbsp;</i>16.&nbsp;Will Power: Visualising Shakespeare’s Authority in Contemporary Culture -&nbsp;Jane Partner.
<p><b>Katie Halsey </b>is Senior Lecturer in Eighteenth-Century Literature at the University of Stirling, UK. Previous publications include <i>Jane Austen and her Readers, 1786-1945</i>, <i>The History of Reading </i>(with Shafquat Towheed and Rosalind Crone) and <i>The History of Reading </i>vol. 2: <i>Evidence from the British Isles, 1750-1950</i> (with Bob Owens).</p> <p><b>Angus Vine </b>is Lecturer in Early Modern Literature at the University of Stirling, UK. He is the author of <i>In Defiance of Time: Antiquarian Writing in Early Modern England;</i>&nbsp; <i>Miscellaneous Order: Manuscript Culture and the Organization of Knowledge in Early Modern England </i>(forthcoming) and, with Abigail Shinn, <i>The Copious Text.</i></p>
Examines how and why Shakespeare became a figure of English cultural authority Looks at Shakespeare's sources or 'authorities' and how they impact his work Considers how Shakespeare's characters are constructed as a form of authority and order
“Shakespeare and Authority is a wide-ranging and impressively researched volume which returns attention to a burning issue in early modern and modern critical debate. Interrogating received ideas on authorship, textual expectation and reception, this collection urges readers to return to a host of celebrated works with new eyes and repays re-reading.” (Andrew Hiscock, Professor of English Literature, Bangor University, UK) <p>“Shakespeare and Authority is an exceptionally fine collection, which includes contributions both from well-established figures in the field and from up-and-coming scholars who are producing exciting new work. Its range is comprehensive and it offers a thoughtful, scholarly, and original engagement with a crucial topic in early modern literary and cultural studies. It is a must-read volume for students and scholars alike.” (Andrew Murphy, Professor of English, University of St Andrews, UK)</p><p>“This fascinating multifaceted collection ventures to approach the subject of authority as both a preoccupation within Shakespeare’s canon as well as the key determinant of the long trajectory of his textual, dramatic, and critical reception. Together the essays give us a generous chronological and generic sweep, yet each individual essay has its own tight focus on some aspect of the complex and mutating interrelation of authority and authorship.” (Margreta de Grazia, Emerita Sheli Z. and Burton Z. Rosenberg Professor of the Humanities, University of Pennsylvania, USA)</p><p><br></p>

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