Details

World Cinema through Global Genres


World Cinema through Global Genres


1. Aufl.

von: William V. Costanzo

35,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 02.12.2013
ISBN/EAN: 9781118713105
Sprache: englisch
Anzahl Seiten: 464

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Beschreibungen

<i>World Cinema through Global Genres</i> introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world.<br /> <br /> <ul> <li>Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema</li> <li>A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world</li> <li>A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes</li> <li>Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends</li> <li>A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force.</li> <li>The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses</li> </ul>
<p>Preface ix</p> <p>Acknowledgments xiii</p> <p>How to Use This Book xv</p> <p>Introduction 1</p> <p><b>Unit I The Warrior Hero 43</b></p> <p><b>Chapter 1: The Warrior Hero 45</b></p> <p>Deep Focus on Chinese Cinemas 79</p> <p>Close-up: <i>The Magnificent Seven </i>100</p> <p>Close-up: <i>Seven Samurai </i>106</p> <p>Close-up: <i>Sholay </i>113</p> <p>Close-up: <i>Way of the Dragon </i>118</p> <p><b>Unit II The Wedding Film 125</b></p> <p><b>Chapter 2: The Wedding Film 127</b></p> <p>Deep Focus on Indian Cinemas 159</p> <p>Close-up: <i>My Big Fat Greek Wedding </i>181</p> <p>Close-up: <i>Monsoon Wedding </i>187</p> <p>Close-up: <i>The Wedding Banquet </i>192</p> <p>Close-up: <i>Wedding in Galilee </i>197</p> <p><b>Unit III The Horror Film 203</b></p> <p><b>Chapter 3: The Horror Film 205</b></p> <p>Deep Focus on Japanese Cinemas 254</p> <p>Close-up: <i>Halloween </i>270</p> <p>Close-up: <i>Suspiria </i>276</p> <p>Close-up: <i>The Devil’s Backbone </i>282</p> <p>Close-up: <i>Ring </i>287</p> <p><b>Unit IV The Road Movie 293</b></p> <p><b>Chapter 4: The Road Movie 295</b></p> <p>Deep Focus on Latin American Cinemas 335</p> <p>Close-up: <i>Thelma & Louise </i>368</p> <p>Close-up: <i>La Strada </i>374</p> <p>Close-up: <i>Breathless </i>379</p> <p>Close-up: <i>The Motorcycle Diaries </i>386</p> <p>Glossary 392</p> <p>Index 406</p>
<p><b>US & CANADA: (Processed July 2013)<br /></b><i>requested by the author<br /></i>Cinema Journal<br />Camera Obscura<br />Film Comment<br />Journal of Film and Video<br />Journal of Popular Culture<br />The Journal of Media Literacy Education (Journal of NAMLE, http://jmle.org/index.php/JMLE/index)<br />Columbia College Today</p> <p>Framework: The Journal of Cinema and Media<br />Cinema Scope<br />Cineastes<br />The Velvet Light Trap<br />Wide Angle</p> <p><b>UK & RoW: (Processed July 2013)<br /></b>Cahiers du Cinema<br />Film-Philosophy<br />New Review of Film and Television Studies<br />Scope<br />Senses of Cinema<br />THE<br />TLS</p>
<p><b>William V. Costanzo</b> is a SUNY Distinguished Teaching Professor of English and Film at Westchester Community College in Valhalla, New York, where he teaches courses in writing, literature, and film studies. Dr. Costanzo has previously published five books on film, writing, and computers, including <i>Reading the Movies</i> (1992), <i>Great Films and How to Teach Them</i> (2004), and <i>The Writer's Eye</i> (2008). He currently serves on the Society for Cinema and Media Studies Teaching Committee.
<p>"A wonderful textbook as well as a scholarly tour-de-force. Costanzo brings new meaning to the concept of global genres and offers up examples that convincingly demonstrate cinematic border crossings and cultural connections amongst far-flung places."</br> <b><i>David Desser, University of Illinois at Urbana–Champaign, USA</i></b> <p>"Costanzo revitalizes both world cinema and genre studies with his stimulating, insightful cross cultural approach to warrior heroes, wedding films, horror and road movies. It's a well-written, scholarly work that's as inventive as it is enjoyable."</br> <b><i>Diane Carson, Past President, University Film and Video Association (UFVA)</i></b> <p>"William Costanzo has cut the clearest path yet through the forest of World Cinema. Key genres take us confidently place to place, era to era; while maps, timelines, and surveys of national industries position a rich array of films, many analyzed with real mastery."</br> <b><i>Dudley Andrew, Professor of Film and Comparative Literature, Yale University, USA</i></b> <p><i>World Cinema through Global Genres</i> offers a new response to recent trends in internationalism that shape the increasingly global character of movies. Costanzo is able to render the complex forces of global filmmaking accessible to students; instead of tracing the long histories of cinema country by country, this innovative textbook uses engaging, recent films like <i>Hero</i> (China), <i>Monsoon Wedding</i> (India), and <i>Central Station</i> (Brazil) as entry points, linking them to comparable American and European films. The book's cluster-based organization allows students to acquire a progressively sharper understanding of core issues about genre, aesthetics, industry, culture, history, film theory, and representation that apply to all films around the world. <p>Students are empowered to look through the lens of genre for reasons behind the similarities and differences among movies made at home and abroad. They come to understand how today's films are part of a dynamic world phenomenon, drawing on local traditions and foreign influences to meet the needs and desires of an increasingly multicultural, globally conscious audience. By studying the cultural flows and cross-currents shaping global genres, readers form a deeper appreciation not only of the films and their stories, but also of the people, societies, and beliefs behind these films. <p>Online resources for instructors, including sample syllabi, lesson plans, student assignments and filmographies, can be found at www.wiley.com/go/costanzo.
"A wonderful textbook as well as a scholarly tour-de-force. Costanzo brings new meaning to the concept of global genres and offers up examples that convincingly demonstrate cinematic border crossings and cultural connections amongst far-flung places."<br /> —<b>David Desser, University of Illinois at Urbana–Champaign, USA</b> <p>"Costanzo revitalizes both world cinema and genre studies with his stimulating, insightful cross cultural approach to warrior heroes, wedding films, horror and road movies. It's a well-written, scholarly work that's as inventive as it is enjoyable."<br /> —<b>Diane Carson, Past President, University Film and Video Assn (UFVA)</b></p> <p>"William Costanzo has cut the clearest path yet through the forest of World Cinema. Key genres take us confidently place to place, era to era; while maps, timelines, and surveys of national industries position a rich array of films, many analyzed with real mastery."<br /> —<b>Dudley Andrew, Professor of Film and Comparative Literature, Yale University, USA</b></p>

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