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V 2010 godu Klementin Deliss vyigryvayet konkurs na dolzhnost' direktora Muzeya etnografii narodov mira vo Frankfurte. V techeniye pyati let pri sodeystvii khudozhnikov, dizaynerov, pisateley, antropologov i yuristov ona pytayetsya initsiirovat' sdvigi vnutri institutsional'noy struktury muzeyev, pereosmyslit' to, kak rabotayet institutsiya, kakovy prioritety yeye deyatel'nosti — kak vnutrenniye, tak i v otnoshenii posetiteley. V etom esse Deliss rasskazyvayet o svoyem unikal'nom opyte raboty po transformatsii modernistskogo ponimaniya muzeya i yego deyatel'nosti. «Etnograficheskiye muzei, kotoryye inogda nazyvayut muzeyami kul'tury narodov mira, yavlyayut soboy naiboleye yarkiy primer uchrezhdeniy, v kotorykh po sey den' sokhranyayetsya kolonial'noye prisutstviye. Moya rabota posvyashchena krizisu imenno v etom muzeynom segmente, odnako ya rasschityvayu zatronut' i drugiye tipy institutsiy, obladayushchikh kollektsiyami, kotoryye osoznayut v XXI veke neobkhodimost' peresmotret' svoy format. Yesli muzei namereny dvigat'sya vpered, borot'sya s rutinoy, stereotipami i konservatizmom, kakuyu model' kriticheskoy i refleksivnoy metodologii sleduyet primenit' v otnoshenii sushchestvuyushchikh, zabytykh, zapyatnannykh ili nevostrebovannykh kollektsiy?»