CONTENTS

Cover
About the Book
About the Author
Also by Jeanette Winterson
Dedication
Title Page
Christmas-tide
Spirit of Christmas
Mrs Winterson’s Mince Pies
The SnowMama
Ruth Rendell’s Red Cabbage
Dark Christmas
Kathy Acker’s New York Custard
Christmas in New York
My Christmas Eve Smoked Salmon and Champagne
The Mistletoe Bride
Susie’s Christmas Eve Gravlax
O’Brien’s First Christmas
Dad’s Sherry Trifle
The Second-Best Bed
Shakespeare and Company’s Chinese Dumplings
Christmas Cracker
My Mulled Wine (Or: No More Fruit in Main Courses)
A Ghost Story
Kamila Shamsie’s Turkey Biryani
The Silver Frog
My New Year’s Eve Cheese Crispies
The Lion, the Unicorn and Me
My New Year’s Day Steak Sandwich
The Glow-Heart
My Twelfth Night Fishcakes
Christmas Greetings from the Author
Acknowledgements
Adverts
Copyright

Also by Jeanette Winterson

Novels

Oranges Are Not The Only Fruit

The Passion

Sexing the Cherry

Written on the Body

Art & Lies

Gut Symmetries

The Powerbook

Lighthousekeeping

The Stone Gods

The Gap of Time

Comic Books

Boating for Beginners

Short Stories

The World and Other Places

Midsummer Nights (ed.)

Novellas

Weight (Myth)

The Daylight Gate (Horror)

Non-fiction

Art Objects: Essays in Ecstasy and Effrontery

Memoir

Why Be Happy When You Could Be Normal?

Collaborations

LAND (with Antony Gormley and Clare Richardson)

Children’s Books

Tanglewreck

The Lion, the Unicorn and Me

The King of Capri

The Battle of the Sun

To the loved ones in my life who really can cook.
My wife Susie Orbach and my friends
Beeban Kidron and Nigella Lawson.
You can’t beat a Jewish Christmas.

title page for Christmas Days: 12 Stories and 12 Feasts for 12 Days by Jeanette Winterson

CHRISTMAS-TIDE

WISE MEN TREKKING across the desert following a star. Shepherds in the fields with flocks by night. An angel, fast as thought and bright as hope, turning eternity into time.

Hurry! A baby will be born.

Believers and unbelievers know this story.

Who doesn’t know this story?

An inn. A stable. A donkey. Mary. Joseph. Gold. Frankincense. Myrrh.

And at the heart of the story, the mother and child.

Until the Protestant Reformation in Europe in the 16th century, the Madonna and Child was the Christian image everybody would see every day; stained glass, statue, oil painting, carving, and the homely shrines people made for themselves.

Imagine it: most people can’t read or write, but their minds are vivid with stories and images; images are more than the illustration to the story – they are the story.

When you and I go into an ancient church in Italy or France or Spain, we cannot read the myriad scenes in the vaulted ceilings, or the frescos, or the hung paintings, but our ancestors could. We stand with our guidebooks looking for clues; they threw back their heads and saw the mystery of the world.

I love the written word – I’m writing it now, reading it now – but in societies that are not literate but are culturally alive the image and the spoken/sung word are everything. It’s a different kind of liveliness of mind.

After the Reformation, Mary, who had been treated like the fourth member of Godhead, was demoted. The Reformation wasn’t good for women; we soon hit the Europe-wide witch burnings, and of course the Pilgrim Fathers who landed at Plymouth Rock in 1620 were Puritans of the most uncompromising sort – cue the Salem witch trials in the 1690s.

In New England the Puritans banned the celebration of Christmas in 1659 and that law wasn’t repealed until 1681. In England, under Cromwell, Christmas had already been banned since 1647, and remained so until 1660.

Why? Too pagan in its origins, as we’ll see later, too party-time, too pleasurable (why be happy when you could be miserable?) and too dangerous to let Mary back out of the kitchen and into the starring role.

What ordinary people missed most about the break with Catholicism was the cult of Mary.

In Catholic countries in Europe then and now, and in Latin America now, the cult of Mary, the mystery of the Virgin birth, the union of mother and child is still powerful and persuasive. Every time a woman gives birth she is the fleeting tableau of the holiest of happenings. Daily life and devotional life are held together in this image.

And it’s an image with its roots deeper than Christianity.

If we look back into Greek and Roman history we can see that gods and marvellous mortals are usually born of one divine and one human parent. Hercules’s father was Zeus. Zeus also fathered Helen of Troy. She was trouble, but beautiful women with a touch of the god are always trouble.

Romulus and Remus, founders of the city of Rome, claimed that Mars was their father.

Jesus was born in the Roman Empire. The New Testament was written in Greek. The Gospel writers wanted to fix their Messiah in the roll call of superheros with a divine dad.

But why did Mary have to be a virgin?

Jesus was a Jew. Jewish lineage is through the mother, not the father, so the emphasis in Judaism on the purity and sexual abstinence of women is a predictable way of trying to control who’s who.

If Mary is a virgin then the divine parentage of Jesus isn’t in doubt.

All that makes sense, but there’s something else too. Sitting further behind this story is the potency of the Great Goddess herself.

Goddess-worship in the ancient world was uninterested in chastity as a virtue. Even Vestal Virgins were allowed to marry once they left the service of the goddess. Temple prostitution was normal, and the goddess was a symbol of fecundity and procreation – crucially, she never belonged to any man.

So the Mary myth brilliantly manages two magnetically opposed forces: the new religion of Christianity offers a tale of god-into-man divine birth. Mary is special and singled out – like in the hero stories. Her pregnancy is no ordinary domestic arrangement; she has been visited by a god.

At the same time, her purity and submission allow the new religion to break away from the riotous pagan sex cults and fertility rites that the Jews hated.

Right from the start, Christianity had the knack of fusing together core elements from other religions and cults – ejecting any problematic elements, and then telling the story in a new way. That has been part of its global success story.

And the most spectacular of its success stories is Christmas.

The birth of Jesus is only written about in the gospels of Matthew and Luke, and their versions are different. Mark and John don’t discuss the birth story at all. There is no mention of December 25th anywhere in the Bible.

So how did it happen?

The Roman festival of Saturnalia is part of the story. This was a typical midwinter festival celebrating the turning of the sun (the shortest day of the year is December 21st, the winter solstice). The pagan Emperor Aurelian declared December 25th Natalis Solis Invicti – the birth of the invincible sun. The festival included gift-giving, party-going, wearing silly hats, getting drunk, lighting candles and roaring fires as sun symbols and decorating public places with evergreens. This festival was swiftly followed by Kalends – where we get our word calendar. They liked to party in the old days.

In Celtic Britain the winter festival of Samhain began on what is our Halloween – All Hallows’ Eve – a festival of the dead, and, as in Germanic and Scandinavian countries, the Celts celebrated the December solstice with bonfires and merriment. This period of Yule or Jól is where we get our words Yuletide and jolly. Evergreens, the holly and ivy, emblems of ongoing life, were used both as decorations and as sacred installations.

In the Germanic tribes, white-bearded Odin roamed around during Yuletide and had to be appeased with little gifts left out at night.

The Church took the sensible view that if you can’t beat ’em, join ’em, and incorporated all the elements people were reluctant to give up – the singing, the celebrating, the evergreens, the gift-giving and, of course, the time of year – into Christmas.

December 25th is a great day for Christ’s birth because it means that Mary was impregnated by God on March 25th – Lady Day (the Feast of the Annunciation) in the church calendar – and this allowed the Church to celebrate the spring equinox of March 21st without life getting too pagan about it. It also allowed Christ’s conception and crucifixion (Easter) a neat symmetry.

Santa Claus himself is one of the many mixed messages of Christmas.

Nicholas was a Turkish bishop of Smyrna born around 250 years after the death of Christ. He was rich and gave gifts of money to people in need. The best story about him is that one night, trying to throw a bag of gold through a window, he found the window closed and had to shin up onto the roof and drop the sack down the chimney.

Who knows? But as usual a cult grew up around him, notably of sailors, who naturally enough went sailing, and as the cult spread northwards this Turkish bearded gift-giver merged with the bearded god Odin, who had the advantage of travelling on a flying horse – with eight legs.

St Nicholas was Sinta Klaus to the Dutch, and it was the Dutch who brought Sinta Klaus to America.

New Amsterdam, now New York City, was a Dutch settlement. By 1809, in spite of the best efforts of the descendants of all that New England Puritan stock, Santa is riding a wagon over the treetops in Washington Irving’s A History of New York.

In 1822 another American, Clement Moore, nailed the definitive Santa in his poem ‘A Visit from St Nicholas’. Everybody knows those opening lines: ‘’Twas the night before Christmas, when all through the house/Not a creature was stirring, not even a mouse.’

This is the moment when St Nick gets his reindeer.

But he was still wearing green – his colour as a pre-Christian fertility god.

Enter Coca-Cola.

In 1931 the Coca-Cola Company commissioned a Swedish artist, Haddon Sundblom, to give Santa a makeover. Red it had to be, and from then on, thanks to the advertising might of Coke, Santa’s robes are red.

The Christmas tree is an ancient symbol of the power of life to survive and thrive through the dead of winter. What did our ancestors think, trudging through the dark, bare forests, when they came across an evergreen?

Famously Queen Victoria and Prince Albert managed the first modern celebrity photoshoot when they posed in front of their Christmas tree at Windsor Castle in 1848.

Actually it was a drawing in the Illustrated London News, but after that everyone had to have a Christmas tree.

Prince Albert was German, and the earliest record of winter trees being brought indoors for the midwinter festival is in the Black Forest in Bavaria.

Martin Luther, the man responsible for the Protestant Reformation, was a German, and the story goes that he decorated his own Christmas tree with candles to mirror the million stars in God’s sky.

Trees themselves are sacred objects. Think of the apple tree in the Garden of Eden, the World Ash Tree, Yggdrasil, worshipped in Norse and Germanic mythology, the Druid Oak. James Cameron’s Avatar features a goddess tree, and in the Tolkien sagas the Ents, the talking, walking trees, are brutally cut down by Saruman and the Orcs, enemies of the sacred forest.

Christ, like other sacrificial gods, dies on a tree.

So the tree is symbolic across centuries and cultures, and the evergreen tree a symbol of life’s persistence.

The Massachusetts Puritans hated all those pagan connections, but they couldn’t stop the moment in 1851 when two sled-loads of trees were hauled from the Catskills to New York City, to become the first retail Christmas trees sold in the United States.

The 19th century is the century when Christmas becomes the Christmas we celebrate now: the Christmas tree, Christmas cards, season of goodwill, gift-giving, robins, feasting, charity to the poor, snow, supernatural agency of some kind – whether ghosts, visions or a mysterious star.

It’s in the 19th century that all the great Christmas carols we love to sing were composed.

It’s the 19th century that invents the Christmas card. Henry Cole worked for the London Post Office and realised that the Penny Post (1840) was a great way of sending simple greetings cards, so in 1843 he got his friend to draw some, and before you could say plum pudding the Christmas-card craze was off.

It was more than thirty years before the Christmas card caught on in America. Blame the Puritans. I do.

Cards, carols and, the most Victorian of all, the Christmas Ghost Story.

Telling stories round the fire is as old as language. And, as fires are lit at night and/or in wintertime, the winter festivals were natural story-telling opportunities.

But the ghost story as a phenomenon is a 19th century phenomenon. One theory is that the spectres and apparitions claimed in so many sightings were a result of low-level carbon-monoxide poisoning from gas lamps (it does cause fuzzy, drowsy hallucinations). Add in the thick fogs and plenty of gin, and it starts to make sense.

But there’s a psychological side to this too. The 19th century was haunted by itself. Its new industrialisation seemed to have unleashed the very powers of hell. Visitors to Manchester called it the Inferno. The English writer Mrs Gaskell wrote of her visit to a cotton mill, ‘I have seen hell and it’s white …’

And the new poor, the factory slaves, the basement-dwellers, the toilers in iron, heat, filth and degradation, appeared like spectres, thin, yellow, ragged, semi-human, half-dead.

That this is also the century of organised charity and philanthropy is not a coincidence. And that it is the century of Christmas at its most inspired as well as its most sentimental should not surprise us. Christmas becomes a magic circle, the season of goodwill where those who have benefited most from the mechanised desolation of their fellows can both make amends and soothe their own souls.

That is why Charles Dickens’s A Christmas Carol begins with Scrooge’s refusal to give money to help the poor: ‘Are there no workhouses?’

Scrooge, the polar opposite (pun – sorry) of Santa Claus, can’t give and won’t give, and finds himself visited by three spirits, plus the ghost of his dead partner, Jacob Marley.

This is a story of hard hearts and second chances. Of the misrule of Christmas, where ordinary laws are turned upside down, of clock-time being out-chimed by significant time (a lifetime happens in a night). And of goose, pudding, fires, candles, fearsome hot cocktails (Smoking Bishop), snow so thick the city sleeps and ‘A Merry Christmas to us all…God Bless us every one!’

This is a story so powerful it can survive the Muppets.

In America, Christmas wasn’t declared a federal holiday until 1870 (after the American Civil War as a way of reuniting north and south in a shared tradition).

Yet in spite of the Puritans’ best efforts, and in spite of the fact that Christmas is most certainly not a Jewish celebration, Americans and American Jews have contributed as much to the folklore of Christmas as any star, shepherd, Santa or angel.

It’s a Wonderful Life, Miracle on 34th Street, Meet Me in St Louis, The Polar Express, How the Grinch Stole Christmas, Trading Places, Scrooged, Home Alone 2, White Christmas – the movie list is only getting longer…

And when you’re singing along to ‘White Christmas’, ‘Rudolph, the Red-Nosed Reindeer’, ‘Santa Baby’, ‘Winter Wonderland’, ‘Let it Snow, Let it Snow, Let it Snow’, or humming about roasting those chestnuts by an open fire, raise a glass to those Jewish songwriters who saw a good opportunity for a tune and gave us the classics we love.

Christmas was banned by the Puritans in the UK and the USA because it is such a gaudy ragbag of a festival with something borrowed from everywhere – pagans, Romans, Norsemen, Celts, Turks – and because its celebratory free spirit, its gift-giving, topsy-turvy misrule, made it anti-authority and anti-work. It was a holiday – holy day – of the best kind, where devotion has joy in it.

Life should be joyful.

I know Christmas has become a cynical retail hijack but it is up to us all, individually and collectively, to object to that. Christmas is celebrated across the world by people of all religions and none. It is a joining together, a putting aside of differences. In pagan and Roman times it was a celebration of the power of light and the co-operation of nature in human life.

Money wasn’t the point.

In fact, the Christmas story starts with a demand for money:

And it came to pass in those days, that there went out a decree from Caesar Augustus, that all the world should be taxed. (Luke 2:1)

And ends with a gift – ‘unto us a child is born.’

The gift of new life is followed by the gifts of the magi – the gold, frankincense and myrrh.

In the best-loved of all Christmas carols the poet Christina Rossetti poses the question of what we can give that is not about money or power or success or talent:

What can I give Him, poor as I am?

If I were a shepherd, I would bring a lamb;

If I were a Wise Man, I would do my part;

Yet what can I give him: give my heart.

We give ourselves. We give ourselves to others. We give ourselves to ourselves. We give.

Whatever we make of Christmas, it should be ours, not something we buy off the shelf.

For me, feasting with friends is a lovely part of Christmas-tide, so I’ve included some recipes here that have personal stories attached to them. I am hopeless with quantities and cook by eye, texture and taste. If pastry is too dry, add water or egg. If it’s too wet, add flour – that kind of thing.

There was a big fight with my editor over whether the recipes should be in metric or imperial – ‘Even Nigella has gone metric,’ she argued.

I asked Nigella and she said, ‘Have both.’

And where I say things like ‘cabbage’, the query came back: ‘What size cabbage?’

There are so many things to do every day – and wondering what size cabbage isn’t one of them.

These recipes are a little disorderly, the kind of thing we’d make together, and I’d say, ‘Damn, I forgot the mushrooms,’ and then we’d just do without them. So don’t worry too much. Cooking has become a lot like cycling. By which I mean people used to pop out on their bikes – now everyone has to wear Lycra and goggles and beat their own speed and distance record. Cooking at home is not an Olympic sport. Cooking is an everyday ordinary miracle.

I like cooking but I prefer writing.

Stories are where I live – they are physical three-dimensional places to me. When I was a kid and locked in the coal hole for various crimes, I had a choice: count coal – a limited activity. Tell myself a story – an unlimited world of the imagination.

I write for the delight of it. Sitting down at a keyboard to play. Christmas has a special delight – as though the season is cheering you on. It’s a time for tales, presided over by the Lord of Misrule, who must be the guardian spirit of creativity, as he is of the ancient twelve days of Christmas-tide.

And strangely, in a house that was generally unhappy, Christmas was a happy time for me when I was growing up. We don’t lose these associations; the past comes with us, and with luck we reinvent it, which is what I am suggesting we do with Christmas. And everything is a story.

Stories round the fire at Christmas, or told with frosty breath on a wintry walk, have a magic and a mystery that is part of the season.

Writing is an epiphany of its own, in the sense of something unexpected being revealed. Christmas, which seems so familiar, maybe even worn out, is a celebration of the unexpected.

Here are the stories I have written so far. Twelve of them for the twelve days of the season. Here are ghost stories, magical interventions, ordinary encounters that turn out to be not ordinary at all, small miracles, and salutes to the coming of the light.

And joy.

SPIRIT OF CHRISTMAS

IT WAS THE night before Christmas and all over the house nothing was stirring because even the mouse was exhausted.

There were presents everywhere: square ones with bows, long ones with ribbons. Fat ones in Santa paper. Thin ones tantalising as a diamond bracelet, or disappointing as a chopstick?

Food supplies had been stockpiled like a war-warning; puddings the size of bombs were exploding off the shelves. Bullets of dates were stacked in cardboard rounds. A line of grouse, like toy warplanes, hung outside the back door. Chestnuts were ready to heat and fire. The free-range organic turkey – nothing that a good vet couldn’t revive – was crouched next to hangar-loads of tinfoil.

‘Good thing the Twelfth Night pork is still eating windfall apples in an orchard in Kent,’ you said, trying to squeeze round the kitchen table.

I was staggering under the weight of the Christmas cake – it was the kind of thing medieval masons used to choose as the cornerstone of a cathedral. You took it from me and went to pack it in the car. Everything had to go in the car, because we were going to the country tonight. The more you loaded, the more likely it seemed that the turkey would be doing the driving. There was no room for you, and I was sharing my seat with a wicker reindeer.

‘Hackles,’ you said.

Oh, God, we had forgotten the cat.

‘Hackles doesn’t celebrate Christmas,’ I said.

‘Tie this tinsel round his basket and get in.’

‘Are we going to have our Christmas row now or shall we wait until we’re on the road and you’ve forgotten the wine?’

‘The wine is underneath the box of crackers.’

‘That’s not the wine, that’s the turkey. He’s so fresh I had to tape him in to stop him trying to claw his way out like something from Poe.’

‘Don’t be disgusting. That turkey had a happy life.’

‘You’ve had a pretty good life but I’m not thinking of eating you.’

I ran and bit your neck. I love your neck. You pushed me away – in play – but do I imagine that you push me away not in play these days?

You smiled a small smile and went to repack the car.

Soon after midnight. Cat, tinsel, tree with flashing lights, reindeer, presents, food, my arm out of the window because there was nowhere else to put it – you and me set off to a country cottage we had rented to celebrate Christmas.

We drove through the seasonal drunks waving streamers and singing about Rudolph in red-nosed solidarity. You said it would be quicker to go right through the middle of town so late at night, and as you were slowly pulling away from the traffic lights down the main street I thought I saw something moving.

‘Stop!’ I said. ‘Can you reverse?’

The street was completely empty now, and you took us backwards, the engine whining under the weight of the effort, until we were outside BUYBUYBABY, the world’s biggest department store, finally and reluctantly closed from midnight Christmas Eve for an entire twenty-four hours (online shopping always available).

I got out of the car. The front window of BUYBUYBABY had been arranged as a Nativity scene, complete with Mary and Joseph in ski-wear and a number of farm animals keeping warm under tartan dog coats. There was no gold, frankincense or myrrh – these three kings had bought their presents from BBB. Jesus was getting an Xbox, a bike and an apartment-friendly drum kit.

His mother, Mary, had been given a steam iron.

Flitting about in front of the Nativity, her nose pressed inside the window, was a tiny child.

‘What are you doing in there?’ I said.

‘Trapped,’ said the child.

I went back to the car and tapped on your window.

‘There’s a child left behind in the shop – we’ve got to get her out.’

You came and had a look. The child waved. You looked doubtful. ‘She probably belongs to the security guard,’ you said.

‘She says she’s trapped! Call the police.’

The child smiled and shook her head as you took out your phone. There was something about her smile – I felt uncertain.

‘Who are you?’ I said.

‘I am the Spirit of Christmas.’

I heard her clearly. She spoke clearly.

‘I can’t get a signal,’ you said. ‘Try yours.’

I tried mine. It was dead. We looked up and down the strangely deserted street. I was starting to panic. I pulled and pushed at the doors to the store. Locked. No cleaners. No janitors. This was Christmas Eve.

The voice came again. ‘I am the Spirit of Christmas.’

‘Oh, come on,’ you said. ‘It’s a publicity stunt.’

But I wasn’t listening to you, I was fixed on the face in the window, which seemed to change every second, as though light was playing on it, shrouding, then revealing, the expression. The eyes were not the eyes of a child.

‘She is our responsibility,’ I said, quietly, not really to you.

‘She is not,’ you said. ‘Come on, I’ll call the police as we drive.’

‘Let me out!’ said the child as you turned back towards the car.

‘We’ll send someone, I promise. We’re going to find a phone— ’

The child interrupted. ‘You must let me out. Will you leave some of your gifts, some of your food, in the doorway, just there?’

You turned back. ‘This is crazy.’

But the child was hypnotising me.

‘Yes,’ I said and, half-dazed, I went to the car and flipped up the back and started dragging wrapped shapes and bags of food towards the doorway of the department store. Every time I put something down, you picked it up again and put it back in the car.

‘You’ve gone mad,’ you said. ‘This is a Christmas stunt – we’re being filmed, I know it. It’s reality TV.’

‘No, this isn’t reality TV, this is real,’ I said, and my voice sounded far away. ‘This isn’t what we know, it’s what we don’t know – but it’s true. I’m telling you, it’s true.’

‘All right,’ you said, ‘if this is what it takes to get us back on the road – here’s the bags. OK? Here and here.’ You slammed them down in the doorway, your face flushed with tiredness and exasperation. I know that face.

And you stood back, hands in fists, not even thinking about the child.

Suddenly all the lights went out in the window of the store. And then the child was standing in between us on the street.

Your face changed. You put your hand on the smooth glass, as clear and closed as a dream.

‘Are we dreaming?’ you said to me. ‘How did she do that?’

‘I’m coming with you,’ said the child. ‘Where are you going?’

And so, past one o’clock in the morning, we set off again, my arm inside the car now, the child on the back seat next to Hackles, who had climbed out of his basket and was purring. I looked in the wing mirror as we left and saw our bags of food and gifts being taken away, one by one, by dark figures.

‘They are the ones who live in the doorways,’ said the child, as though reading my thoughts. ‘They have nothing.’

‘We are going to be arrested,’ you said. ‘Theft of in-store display. Dumping on a public highway. Abduction. Merry Christmas to you too, Officer.’

‘We’ve done the right thing,’ I said.

‘What exactly have we done,’ you said, ‘except lose half of what we need and collect a lost child?’

‘It happens every year,’ said the child. ‘In different ways, in different places. If I am not set free by Christmas morning, the world grows heavier. The world is heavier than you know.’

We drove along in silence for a while. The sky was black, pinned with stars. I imagined myself, high above this road, looking back on Planet Earth, blue in the blackness, white-patched, polar-capped. This was life and home.

When I was a child, my father gave me a glass snow-scene of the earth shook with stars. I used to lie in bed and turn it over and over, falling asleep with the stars behind my eyes, feeling warm and light and safe.

The world is weightless, hanging in space, unsupported, a gravitational mystery, sun-warmed, gas-cooled. Our gift.

I used to fight off sleep for as long as I could, squinting out of one closing eye at my silent, turning world.

I grew up. My father died. The snow-scene was in his house, in my old bedroom. When we were clearing I dropped it, and the little globe fell out of its heavy, star-shot liquid. That was when I cried. I don’t know why.

I must have reached across the car seat then and taken your hand as we cruised along on the night road.

‘What’s the matter?’ you said, gently.

‘I was thinking about my father.’

‘Strange. I was thinking about my mother.’

‘Thinking what?’

You squeezed my hand. I saw your ring finger glinting under the low green dashboard lights. I remember that ring and when I gave it to you. I see it every day but today I see it.

You said, ‘I wish I’d done more for her, said more to her, but it’s too late now.’

‘You never got on.’

‘Why is that? Why do so many parents and children never get on?’

‘Is that why you don’t want us to have children?’

‘No! No. Work… We always said we’d think about it…but…yes, perhaps… Why would I want my child to hate me? Isn’t there enough hatred in the world?’

You never talked like this. Glancing at your profile, in the eerie green light, I could see the tension in your jaw. I love your face. I was about to say so, but you said, ‘Ignore me. It’s this time of year. A family time, I guess.’

‘Yes. What a mess we make of it.’

‘Of what? Of our families, or of Christmas?’

‘Both. Neither. No wonder everyone goes shopping. Displacement activity.’ You smiled, trying to lighten the mood.

I said, ‘I thought you liked the presents under the tree?’

‘I do, but how many do we need?’

I was about to remind you that you had yelled in my face less than an hour ago, when a voice from the back seat said, ‘If only the world could rid itself of just some of its contents.’

We both glanced round. I realised that the green light in the car wasn’t the instrument panel; it was her. She was glowing.

‘Do you think she’s radioactive as well?’ you said.

‘As well as what?’

‘As well as…well, as well, as I don’t know, as well as…’

‘Suppose she’s who she says she is?’

‘She hasn’t said who she is.’

‘Yes, she has, she’s…’

‘I am the Spirit of Christmas,’ said the child.

I said, ‘And suppose something extraordinary is happening to us tonight.’

‘An unknown child on a wild-goose chase?’

‘At least it’s seasonal.’

‘What?’

‘The wild goose.’

This time you squeezed my hand and I saw the muscle in your jaw lower just a little.

I want to tell you about love, and how much I love you, and that I love you like the sun rising, every day, and that loving you has made my life better and happier. I know this will embarrass you, so I don’t say anything at all.

You switched on the radio. ‘Hark! The Herald Angels Sing.’

You sang along. ‘ “Peace on earth and mercy mild…” ’

I saw you watching the child in the rear-view mirror.

‘If this goes according to plan,’ you said, ‘we should be seeing Santa and a team of reindeer about now. What do you think about that, Spirit of Christmas?’

The voice from the back seat said, ‘Turn right here, please!’

You do. You hesitate, but you do it, because she’s that sort of child.

You took the dark bend, accelerated forward and stalled the car.

Just touching down over the roof of a handsome Georgian house, holly wreath on the blue front door, was a sledge pulled by six antlered reindeer.

Father Christmas smiled at us and waved. The child waved back and climbed out of the car. Locks didn’t seem to make any difference to her. Hackles jumped out and followed her.

Santa clapped his hands. The house was in darkness but a sash window on the first floor was pushed up by some unseen inside hand; three bulging sacks thudded to the ground. Santa Claus shouldered them easily and loaded them onto his sledge.

‘He’s robbing the place!’ you said, opening the car door and getting out. ‘Hey, you!’

The figure in red came forward convivially, stamping his boots and rubbing his hands.

‘We can only offer this service once a year,’ he told you.

‘What bloody service?’

Santa Claus took the opportunity to fill his pipe. He blew star-shaped smoke rings, blue into the white air.

‘In the old days we used to leave presents, because people didn’t have much. Now everyone has so much, they write to us to come and take it away. You’ve no idea how much better it feels to wake up on Christmas morning to find it all gone.’

Santa rummaged in one of the bags. ‘Look, hair curlers, a year’s supply of bath salts, more socks than anyone can have feet, baked garlic in olive oil, an Eiffel Tower embroidery kit, two china pigs.’

‘And now what?’ you said, half-furious, half-fazed. ‘Car-boot sale for New Year?’

‘Well, come and see if you like,’ said Santa. ‘Follow me.’

He pocketed his pipe and went towards his sledge. The Spirit of Christmas went with him, and Hackles.

‘Hey, that’s our cat!’ you shouted at the bottom of the sledge, because by now it was in the air.

The Spirit of Christmas was looking very pleased with herself.

We jumped in the car and followed the sledge as best we could, though it took the direct route across the fields.

‘It’s some kind of jet-pack hovercraft,’ you said. ‘How did we get into this?’

Now we were off the little road and bouncing up a track that was killing the car’s suspension. You had both hands on the wheel.

The sledge came to land. A few minutes later we caught up.

We were outside a dark and wind-broken cottage. The roof tiles were slipping and the gutter was hung with icicles, like the electric ones people buy as decorations, except that these icicles weren’t electric and they weren’t decorations. The fence stakes round the house were tied together with bits of wire and the gate was propped shut with a stone. An old dog slept in the open doorway of a disused caravan.

As the dog raised his head to bark, Santa Claus threw a glittering bone through the air. The old dog caught it contentedly.

While the reindeer ate moss from their nosebags, Santa and the Spirit of Christmas went to the house and opened the front door.

‘Is this a trap? Like Don’t Look Now? Are we going to be killed?’ You were scared. I wasn’t scared but that was because I believed in this.

Santa came out of the cottage, stooping slightly under the weight of a moth-eaten bag. He was holding a mince pie and a glass of whisky.

‘Not many people leave anything these days,’ he said, downing the whisky in one, ‘but I know this house and they know me. Pain and Want must vanish tonight. Once a year is all the power I am given.’

‘What power?’ you said. ‘Where’s the child? What have you done with my cat?’

Santa gestured back at the cottage, its windows lit up now with the strange green that accompanied the child. We could see quite clearly, even at a distance, that the table had a clean cloth on it and the child was arranging a ham, a pie, cheese, while our cat, Hackles, purred about with his tail in the air.

Santa smiled, and tipped the sack onto the sledge. What fell out was musty and old and broken. He picked up the pieces of a plate, a torn jacket, a doll without a head. Now the sack was empty.

Without speaking, he offered the empty sack to you and pointed towards the car. He wants you to fill it, I thought. Do it, please; do it.

But I didn’t dare to say this out loud. This was for you. About you.

You hesitated, and then you opened all the doors of the car and started pushing presents and food into the sack. It was only a small sack, but no matter how much you put into it, you couldn’t fill it. I could see you looking at what was left.

‘Give him everything,’ I said.

You leaned over and started taking things from the back seat. The car was almost empty now, except for the wicker reindeer, and that seemed too ridiculous to give to anybody.

You handed the heavy sack to the red figure, who was watching you intently.

‘You haven’t given me everything,’ he said.

‘If you mean the wicker reindeer…’

The Spirit of Christmas had come out of the house now, Hackles in her arms. He was glowing green too. I had never seen a green cat.

The child said to you, ‘Give him what you fear.’

The moment was still, utterly still. I looked away like I did when I asked you to marry me, not knowing what you would say.

‘Yes,’ you said. ‘Yes.’

There was a terrific thud and the bag fell to the ground in a great weight. Santa nodded, and with some difficulty picked up the sack and threw it onto the sledge.

‘It’s time to go now,’ said the Spirit of Christmas.

We got in the car and drove back along the track.

The frost had brightened the ground and hardened the stars. Beyond the dry-stone walls, the sheep were in huddles in the fields. A pair of hunting horses ran along the side of the fence, their breath steaming like dragons’.

After a while you stopped and got out. I followed you. I put my arms round you. I could hear your heart beating.

‘What shall we do now that we’ve given it all away?’ you said.

‘Haven’t we got anything left?’

‘A bag of food behind the front seat, and this…’ You felt in your pocket and took out a foil-wrapped chocolate snowman.

We both laughed. It was so silly. You broke a piece off to give to the child in the back of the car, but she was sleeping.

‘I don’t understand any of this,’ you said. ‘Do you?’

‘No. Is there any more chocolate?’

We shared the last pieces and I said to you, ‘Do you remember when we first met and we had no money at all – we were paying off student loans and I was working two jobs, and we ate sausages and stuffing on Christmas Day, but no turkey because we couldn’t afford one? You knitted me a jumper.’

‘And one sleeve was longer than the other.’

‘And I made you a stool out of that ash tree the council had cut down. They left half the trunk on the street. Do you remember?’

‘God, yes, and it was freezing because you were in that horrible houseboat, and you wouldn’t come home with me because you hated my mother.’

‘I didn’t hate your mother! You hated your mother.’

‘Yes…’ you said slowly. ‘What a waste of life hatred is.’

You turned me to face you. You were quiet and serious.

‘Do you still love me?’

‘Yes, I do.’

‘I love you, but I don’t say it enough, do I?’

‘I know you feel it. But sometimes…I…’

‘Yes?’

‘I feel like you don’t want me. I don’t want to force you but I miss your body. Our kisses and closeness, and yes, the rest too.’

You were quiet. Then you said, ‘When he, Santa Claus, or whatever he is, asked me to give him what I fear, I realised that if everything were still in the car and you were gone, then what? What if our house, my work, my life, everything I have was all where it should be, and you were gone? And I thought – that’s what I fear. I fear it so much I can’t even think about it, but it’s there all the time, like a war that’s coming.’

‘What is?’

‘That bit by bit I am pushing you away.’

‘Do you want to push me away?’

You kissed me – like we used to kiss each other – and I could feel my tears, and then I realised they were yours.

We got back in the car and drove slowly on through the last miles towards the village, the uneven roofs visible under the vanishing moon. Soon it would be day.

A hooded figure was walking by the side of the road. You pulled alongside and stopped the car, opening the window. ‘Would you like a ride?’ you said.

The figure turned to us; it was a woman carrying a baby. The woman pushed back her hood; her face was beautiful and strong. Unlined and clear. She smiled, and the baby smiled. It was a baby, but its eyes weren’t the eyes of a baby.

Instinctively I looked round at the back seat. The cat was curled up in his basket, but the child was gone.